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Thursday, 25 July 2013

The Perfect Place to Write

Posted on 22:00 by Unknown
Mountaintop ranch at 7,000 ft.

Because I began my writing career as a news reporter, I could probably write in the middle of a traffic jam, but there are distractions that bring me to an exasperating halt. Phones and door bells ringing, neighbors and friends popping in unexpectedly, salesmen (yes, they still do occasionally appear on your doorstep), missionaries leaving pamphlets, and so on.

According to Carl Honore, who wrote In Praise of Slowness, it takes our brains eight minutes to return to our creativity mode whenever we’re distracted. Telephone interruptions require a fifteen minute recovery time. With email, one message delays your creative train of thought for more than a minute, according to Lois J. Peterson in her article, “May I Put You on Hold?”

Peterson says, “High tech interruptions come with built-in controls, if only we would use them.” We have answering machines, caller I.D. and email programs that alert us to messages, if we leave the programs open. Shutting down the Internet while we write is one solution as well as unplugging the phones, especially if you have broadband service.

What if? was always be on my mind if I shut off all forms of communication. What if there’s an accident at the job site, what if one of our adult children needed our help? What if my husband had an accident or broke down on the way home?

Before he  retired, we had a large home office which I shared with my husband and our two businesses. Although background music helped, I was often interrupted by not only the phones but my husband wanting to share something with me. Many husbands don't understand that writing isn’t just a hobby or an excuse to avoid housework. Bestseller status would undoubtedly cure that problem.

My husband reads more than I do, including my books. I’ve talked to other writers whose spouses don’t read their work, and resent the time they spend writing instead of with the family. Countless women writers have said their husbands’ resent their creativity. Writers, artists and entertainers used to only comprise 5% of the population (before self publishing), so that placed us in a special category, of which I cannot think of anything comparable, with the possible exception of rocket science and brain surgery. I’m not advocating that writers be placed on pedestals, but regardless of how much money we earn, or how little, our talents should be respected by family members.

Few of us have our own private office or cubby hole where our writing time is sacred. I've gotten out of bed in the middle of the night to write something down that was rattling around in my brain, without phones ringing or people barging in. I was tired next morning and probably more than a little cranky, but as every writer knows, if it's not handwritten or typed into the computer, we're going to lose that "brilliant" passage.

Writing isn’t just an occupation that doesn't pay all that well,  for me it’s a source of joy and feeling of accomplishment, like nothing else. I’d rather write than attend a party, sell books at a signing, or stay in bed all day to read.

Although most women writers have said, “I need a wife to do the chores so I can write,” the obvious solution is to marry another writer who cooks, cleans and edits. And while we’re at it, make sure he looks like George Clooney.

Most of my writing problems were solved when my husband retired and we moved to a small mountaintop ranch (pictured above) with only cell phone service and few neighbors. The only distractions are cows mooing in the distance and an occasional deer or antelope passing by my window or an eagle soaring past. It doesn't get much better than that.

~Jean Henry Mead
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Posted in Carl Honore, Lois J.Peterson, muntaintop ranch, The perfect place to write | No comments

Monday, 22 July 2013

Creating Balance Before the Burnout.

Posted on 23:00 by Unknown
The Road Not Taken?
Last week, the romance writers got together to learn, celebrate, party, and pump their books. I love going to conference.  It's non-stop for four days - workshops, book signings, meetings, dinners, coffee, agent pitches... An overwhelming experience for an introvert like me.  I just don't love paying out that kind of money when I have no book to pitch to all those lovely editors and agents.

Long story short, I didn't go. Instead I wrote on my last bull rider book where Jesse gets corralled without him even knowing what's happening. I started a new exercise program (and hopefully, as this goes live, I'm still on the program), and I did all the normal, everyday activities like going to the day job, dishes, laundry, and took the car in for two appointments to correct an air bag problem. You know, life.

One of my writer friends sent me an email saying she was writing while at the conference.  Now that's determination. Or bad planning for a deadline. I'm not sure which.

But her admission got me thinking about balance in our lives. Or at least my life. I'm a run-full-force-into-battle girl, then collapse when it's done, not understanding where my energy went.

So I'm turning over a new leaf. One day a week I will not write. I will watch a movie, read a book, or work on a craft project. And more importantly, I will not feel guilty.

I'm feeling antsy just writing this statement. Especially since I'm trying to finish a romance before I start on my last contracted book in my mystery series. I feel like I'm agreeing to give up the drug of my choice. Are there 12-step meetings for people like me?

Hi, I'm Lynn, I'm a writer.

Over to you - what do you do to make sure you don't burn out?

(Commercial time -If you're a romance reader - Crimson Romance has my Bull Rider series on sale until the end of July -$1.99 a book - The Bull Rider's Brother and The Bull Rider's Manager.)
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Posted in balance, Lynn Cahoon, The Bull Rider's Brother, The Bull Rider's Manager | No comments

The Right Equipment

Posted on 09:25 by Unknown
It used to be that authors wrote manuscripts by hand or by typewriters. Either way had to be tedious, not to mention time consuming. I don't know any authors who are satisfied with their first drafts.

With the dawn of computers, we can move and change words, whole chapters and almost an entire manuscript around, if we so desire.

The downside is computers need to work, which sometimes doesn't happen either through hardware or software malfunctions, age, or hackers. The last can occur at some point through an Internet virus, yet these days authors are helpless to sell books without being connected to the Internet.

Right now I'm in the process of figuring out a new laptop computer, since mine is past its prime and has a nasty habit of freezing on me when I need it. I'm vacillating between getting the cheapest adequate one or looking for more features, in case my desktop computer decides it wants to misbehave as well.

I found a decent Dell laptop for $498 at Walmart, but then to get all the Microsoft Office programs features that would be $99 per year more, $44 for accident insurance, 1 year limited warranty. To go through Dell, the same computer runs close at $902 for their 2 year service contract, plus accident insurance tacked on, and only one year on the Office programs.

Or, I can get a tablet instead of a laptop, but then which one? Also, I do want Microsoft Office capability. Microsoft Surface RT sounded like a good buy at $349, but then I found all kinds of reviews saying it's not so great.

It's all totally confusing. I'll keep investigating, and hope that inspiration will strike, or lower prices. At least I still have my desktop computer, fingers crossed, still working!

What about you? Do you own a laptop computer or tablet or both? Do you have any recommendations or warnings?

Morgan Mandel writes mysteries, thrillers and
romance.

Check out all her books at:
Website: http://www.morganmandel.com
Connect on Facebook: http://www.facebook.com/morgan.mandel
Twitter: @MorganMandel

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Posted in author, computer, Dell Inspiron, Microsoft Surface RT, Morgan Mandel, tablet | No comments

Friday, 19 July 2013

Putting Yourself in Your Book

Posted on 13:07 by Unknown
By Chester Campbell

I'm not talking about making yourself a character in your book, but consciously or not we usually include a lot of ourselves in our writing. Back in the days when I made a lot of public appearances (a voice problem limits my talking these days), I would talk about my Greg McKenzie mysteries and someone would invariably ask, "Is Greg really you?"

My standard reply was, "He's bigger and bolder and more confrontational than me, but we think a lot alike."

A lot of my characters have no relationship to me, either in size or demeanor or thought processes. But at least one of the key personalities is bound to express my sentiments about the situation. It just comes flowing out of my fingers naturally. I choose to write about subjects that interest me, which means I have feelings that get expressed in one way or another.

There are other ways we put ourselves in our novels. One is to use experiences we've had some place or another. I've done that countless times. In my first post Cold War political thriller, Beware the Jabberwock, I had my two principal characters, Burke Hill and Lori Quinn, ride the Star Ferry across Hong Kong Harbor. I described it as I remembered from my visit to Hong Kong back in 1987 (the story takes place in 1992).

In the second of the thriller trilogy, The Poksu Conspiracy, I had Burke Hill visit Chiangmai, Thailand. I used the Top North Guest House where my wife and I and our son and his wife stayed during our Far East tour. It was more like an early American motel with limited amenities. I also used places we visited such as the Chiangmai Night Bazaar and Wat Prathat Doi Suthep, a Buddhist temple high on a mountain west of the city.

My first Greg McKenzie mystery was based largely on a tour I took of the Holy Land in 1998. Greg and Jill make a similar journey as the book begins, and several of the characters were based on people I met during the trip. One who played a key role was our tour guide in Israel, an American who had lived in Jerusalem for several years. I used a lot of her characteristics but changed her sex for plot reasons.

I think most writers put a lot of themselves in their books in one way or another. Do you find your thoughts, your preferences, your characteristics, your experiences showing up in your prose?

Visit me at Mystery Mania or my website ChesterDCampbell



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Posted in characters, Chiangmai, Cold War, Greg McKenzie, Hong Kong, The Poksu Conspiracy | No comments

Tuesday, 16 July 2013

Writing and Other Priorities

Posted on 22:30 by Unknown
by Janis Patterson
I try to write every day. Not because some writing guru or bestselling writer says it’s the only way to write or because it’s the ‘technique du jour’ or because it is reputed to guarantee sales or because of any other fanciful explanation. I try to write every day because the more I write, the more books I finish and (hopefully!) the more money I make.
Some things, however, supersede sales, and yes, even money. Not many, I will admit, but family tops the list. I can always catch up on my word count. The book will still be finished if I fall a little behind. The world will not end, no matter what an editor might say, if I miss a deadline.
Now I’m not talking about taking a nephew to a soccer game or going to lunch with an aunt… those are ordinary everyday things that should be scheduled around your work, just as if you worked in an office or in a factory. Just imagine telling your boss you had to leave because you had to chauffeur a kid to a game! It is just the same if you write – nothing changes just because you’re the boss. You work for yourself just as surely as if you worked for a multi-national corporation, and you should have the same attitude towards work. You are both boss and employee.
One of my favorite sayings is that when you work for yourself you might work 23 hours a day, but at least you get to choose which 23!
There are times, though, when all the rules go out the window. Family need trumps career every time. My beloved sister-in-law has gone into the hospital for a total knee replacement. She is a widow – my brother passed away almost a decade ago – and her children all live more than a fair distance away. I’m almost through with a book – two weeks dedicated work will get it finished, with a half-finished one and a completed one waiting to grow cold for editing in the to-be-done queue, but at the moment they’re off the table. My sis-in-law needed someone to drive her to the hospital at zero-dark-thirty in the morning, and I was not going to let her go into surgery alone. No, I didn’t go into the operating theatre, fascinating as it would have been – I stayed in the waiting room. I firmly believe, however, that no one should awake from anesthesia alone.
So – two days without writing. My career will survive, and if it doesn’t, my family is more important. I can catch up, though, and with a clear conscience. Besides, I firmly believe that 90% of writing is done between the ears – the keyboarding part is mainly mechanical – and I can think anywhere. At least, I could try, if my fellow denizens of the surgical waiting room would not keep the TV at a level somewhere between foghorn and earthquake!
 My sister-in-law will go directly to rehab after a couple of days in the hospital, and when she eventually comes home her children will have taken time off from work and traveled down in turn to stay with her until she’s strong enough to return to her regular life. Plus, I’m just a phone call away.
If she wants to go to a soccer game, though, she’s going to have to drive herself. Because I am a very stern boss, I’ll be working.
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Posted in family, priorities, surgery, working, writing | No comments

Monday, 15 July 2013

Wondering About Movie Critics

Posted on 23:30 by Unknown
I know this is off topic, but I just had to write this rant.

Mostly I'm going to write about the movie The Lone Ranger and what the critics had to say about it along with my own reactions to it.

When advertisements for The Lone Ranger began to appear, I knew I wanted to see it. No, I'm not a huge Johnny Depp fan, but I do think he is an extremely talented actor. When The Lone Ranger first came out I read all the reviews and they panned the movie. When that happens and I tell my husband, he always says, "Then it must be good."

In this case he was right.

The Lone Ranger is fun. I think the critics are far too serious and looking for anything to pick apart and don't bother to consider entertainment value.

No, it certainly isn't the Lone Ranger and Tonto from old. It's a spoof on all the old Lone Ranger movies and Westerns and it's funny. There is plenty of action, sometimes impossible action, but great to watch. Some of the lines between the Lone Ranger and Tonto are hilarious.

There's plenty of action, the scenery is great (even though it isn't the places that it's supposed to be, but in a movie like this, who cares?), sometimes the comedy is subtle and sometimes it's not.

And when the The William Tell Overture played, I bet anyone who remembers The Lone Ranger of old had a big smile on their face.

Johnny Depp is a perfect Tonto--and to those who didn't like it because he's not an Indian, he does claim some Cherokee in his bloodline. And there were some Native Americans playing Indians in the cast. Needless to say, I enjoyed the movie.

My favorite line from Johnny Depp comes right after the Lone Ranger cries out, "Hi Ho Silver."

On the other hand, critics loved The Heat. I wanted to see it as did hubby, he really likes Sandra Bullock and it's been awhile since she's been in a movie.

Oh, my goodness, the language in the movie is so bad it distracts from everything else. In fact, I'm sure that's why it got an R rating. I would think that the movie makers might figure out they'll have more people come to the movies if they tone down the language. We can get that people do say the F word without using it over and over. The same with the cursing, it just isn't necessary. Many people walked out about 1/4 of the way through the movie because of the language.

We might have done the same, but it take us too long to get up and out.

Yes, there are some funny moments in the movie--but talk about preposterous--one of the criticisms of The Lone Ranger, but not this one.

And to bring it back to mysteries--there haven't been any good movie mysteries lately, has there?

What kind of movies do you like best and how much stock do you put in what the critics have to say?

Marilyn
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Posted in Marilyn Meredith, movie critics, The Heat, The Lone Ranger, The William Tell Overture | No comments

Interviewing Toby Speed

Posted on 19:55 by Unknown

Today I'm interviewing Toby Speed, a fellow Long Island Sister in Crime. Toby's first mystery, DEATH OVER EASY, is coming out September 15th with Five Star Publishing

Briefly tell us a bit about yourself—where you grew up, went to school, what you studied, the kind of work you did or do.

I grew up in Syosset, Long Island, and later moved east, but Long Island has always been my home except for a few years in New York City and Bergen County, New Jersey, where my oldest child was born. It’s hard to believe I’ve been in my current location for 30 years.

While I lived in the city I took writing classes at The New School, and I’ve been a writer professionally for many years. I work at a university, writing feature stories and brochures and anything else they throw at me. Now I’m looking forward very much to write-tirement!

Like me, you were first published as an author of books for children. How did that come about?

My parents read to me from birth and so I grew up loving books. Then I did the same with my own children. While reading them great picture books like GOODNIGHT MOON, SWIMMY and lots of others, I was inspired to try my hand at writing children’s books. It was a great way to combine my love for poetry, simplicity, directness and a wacky imagination into a satisfying vocation.

I’ve published seven children’s books, and have written many stories for Highlights for Children and other magazines. And I may go back to writing children’s books someday – never say never!

What got you started writing mysteries? Is there a carry over in your writing from one genre to the other?

I got started writing mysteries because I loved reading them. There is nothing like a good puzzle, especially when it’s written with depth of character and a sense of humor. As far back as 20 years ago I was playing with ideas for a mystery, filling notebooks with characters and plot ideas. And I’ve always enjoyed forensics programs on TV. So, mystery-writing began gradually for me. Eventually, the book I
was trying to write took over my life, and I had to finish it in order to regain my self-respect.

To me, there are more similarities than differences in writing in these two genres. They both use similar “muscles” for creativity, humor, style, story arc and other aspects of effective writing. And I think I am recognizable in all my writing, whether it’s for adults or for children.


Tell us a bit about your new mystery.

DEATH OVER EASY is my first Emma Trace mystery. It’s set on Long Island in the village of Port Jefferson, and it involves blackmail, murder and flying. Emma is a practical, both-feet-on-the-ground type of person who happens to be part of a family of gamblers and aerial daredevils. When police suspect her of having murdered the local diner’s short order cook, s
he is forced to come out of her safe world to find the real killer.

For me, writing this book was a great journey in the understanding of fear, risk and reward. At the outset, I shared with Emma a fear of flying, and so I learned how to fly during the writing of this book in order to understand her better. I have a private pilot’s license.

Emma’s story will continue with book #2, DEATH UNDER THE RADAR.

These days, authors are expected to promote their books. How do you do this? What do you think is the best way to reach readers?

I’m learning as I go. So far I’m enjoying connecting with readers and other writers through Facebook (www.facebook.com/tobyspeedauthor), Twitter (@TobySpeed1), my monthly newsletter and the emails I receive. It’s fun making friends; whether this translates to sales remains to be seen.

What’s your favorite aspect of writing?

Finding the right words! I love poring over a thesaurus; it’s my favorite writing tool.

What do you like to do when you’re not writing?

I love walking outdoors, doing yoga, and reading. More and more I treasure being outdoors in natural, beautiful surroundings, such as the north shore beaches, rivers and lakes, and mountains. The last few I have to leave Long Island to find, of course.

What advice would you give someone who’s almost finished writing his/her first mystery novel?

Don’t be in too much of a hurry to publish it. Find some friends or colleagues whose opinions you value, or find a critique group online or in person, and share your work. Learn to listen and be receptive to ideas, and at the same time respect your own strengths and goals in writing. This way you will continually develop as a writer, and when your work is ready for publication you will find the whole task much easier. Believe in yourself!

What writers’ groups and organizations do you belong to? In what ways do you find them of value?

I’m a member of Sisters in Crime and Mystery Writers of America. I joined Sisters in Crime to get a discount on registration at the New England Crime Bake a couple of years ago, and I got so much out of that conference and met so many terrific people that I was eager for more. I contacted Marilyn (host of this interview!), who was then president of the Long Island chapter of Sisters in Crime, and I started going to meetings. We have a fabulous group of writers, editors, former detectives, forensics experts and others, so the friendship and networking is invaluable. We also invite speakers to talk about writing and crime-solving, and we take field trips. This year I hold the position as secretary for the chapter.

What are your thoughts regarding critique groups?

They can be very valuable if those in the group know how to critique constructively and gently. Writers need to develop a skin but they also need to be open to truly useful, helpful advice.

What is your next writing project?

I’m working on DEATH UNDER THE RADAR, the second Emma Trace mystery, which is about a distant cousin of Emma’s, a retired K-9 cop who was shot during a bust and now comes back to help solve a murder. His K-9 partner Strider plays a major role in the story.

I am also writing some short mystery stories. My story “At the Corner of Night and Nowhere” will appear in the forthcoming Untreed Reads anthology called MOON SHOT: MURDER AND MAYHEM ON THE EDGE OF SPACE.

Toby's website is: www.tobyspeed.com

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Posted in DEATH OVER EASY, flying, Long Island | No comments

Sunday, 14 July 2013

The Perfect Murder - Mar Preston

Posted on 22:00 by Unknown


You’ve read all these murder mysteries of one kind and another from grisly hard-boiled noir to the sweetest cozy. You’ve seen all the tricks and seen how the detectives unravel a Gordian Knot of a story to solve the murder. You let your mind out to play imagining the Perfect Murder.

Just to pass the time while you’re sitting there fuming in a traffic jam, you pick out that daffy blonde in the BMW in the lane next to you who’s putting on eyeliner while talking on her cell phone. Grrrrr.

We’ve read of course that the hardest murders to solve are those in which killer and victim have no discernible connection. You whip out that gun that suddenly appeared on the seat beside you. (This is just fiction, remember.)

You’ve never seen that woman before.  But what if somebody remembers you fuming and the dirty looks that blonde got, and the way you cut her off when a lane opened in front of her. Just suppose they were trying out a new camera and saw you speed away. Or there’s a freeway camera you never saw.

Let's face it, you're no hardened criminal.  If you got away in the chaos of a traffic accident when she ploughs into cars beside her, you watch the news that night. How could she be old enough to have four children and a mother dependent on her? How could she be a choir director? A veteran?

Your own mind turns on you. You sweat, you dream, you listen for the knock at the door. A patrol car pulls up behind you at a stop light and you want to get out, fall to your knees and confess just to make it stop.  It’s human nature to want to confess.

Once they get you in the interrogation room, you're gonna fold up like a beach chair anyway.  Law enforcement professionals break down people like you and me every day. One’s sweet; the other one scares you to death. Even when you know it’s a Good Cop/Bad Cop routine what’s human in you looks to find an ally, someone who understands you.

It’s fun to consider, but I don’t advise going any further than reading this when considering the Perfect Murder. You’re not the type.

Do you really think you could get away with it?


Mar Preston's mysteries can be found at  http://www.amazon.com/s/ref=nb_sb_noss_1?url=search-alias%3Daps&field-keywords=mar%20preston&sprefix=mar+preston%2Caps&rh=i%3Aaps%2Ck%3Amar%20preston

Her website is http://marpreston.com

Twitter her at YesMarPreston


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Saturday, 13 July 2013

Preparing for a Talk

Posted on 02:00 by Unknown
by Kaye George

As I write this, I’m preparing to take a trip to a Sisters in Crime chapter, the Upstate South Carolina Chapter in Greenville, SC. They graciously asked me to visit and give a presentation. After some discussion, we decided I would talk on short stories vs. novels.

So, what did I do to prepare? I’m doing this blog as much for me as for you! If I set down my steps here, it helps me out.  (By the time you read this, I will have finished my talk and will be on my way home, if not there already.)

Here are my 12 steps.

1--The first thing I did was write my talk. This took awhile. I wanted to have between 1/2 and 3/4 of an hour. I figure that if I have that much material, it should take an hour, with interaction and questions. Hope there is some of that! Just in case there isn’t, I took a suggestion from Ramona DeFelice Long and printed out the beginnings of some of my novels to do a reading at the end. It occurred to me that I should also do a short story reading! So I printed out a story.

2--After the talk was written, I practiced it. Often. Of course, I did this while writing it, in order to time it, too. The more practice the better. This is also advice from Ramona.

3--I was told to bring books to sell, so I took a book inventory. I found that I didn’t have a lot of some of them, so I ordered more. I have several titles out. For novels, there are 3 in the Imogene Duckworthy series and 1 in the Cressa Carraway series. There is also 1 in the People of Wind series, but it’s an e-book only at this stage, so there are none to order.

Since I’m speaking about short stories, I should also bring some of those, I figure. I’ll bring some of my own collection, and the two anthologies I have on hand.

4--Practice my talk some more.

5--Sales preparations. I’ve done enough signings and book sales events that I have a system for this. I keep a large shopping bag full of my stuff: a clipboard to hold my price list (which I printed out on card stock with my new books included); a coin purse with $100 in small bills to use for change; a small notebook to write down which books I sell; a few stands to prop up my books while I’m speaking, if there’s a place to do this. When I’m doing a bookstore signing, I usually bring a cute candy dish with individually wrapped candies, but for this meeting, they’re providing dinner and treats, so I don’t think I’ll need to do that.

6--Handouts: bookmarks for the print books and postcards for the e-book. Also some business cards in case someone wants those instead.

7--Practice my talk some more.

8--Decide what to wear. I’m still doing that!

9--Pack. I’ll have a suitcase of books and a smaller one for my overnight stuff, as soon as I decide what I’m wearing.

10--Make sure my netbook is charged and the spreadsheet is there for people to sign up to receive my newsletter. I find this a much better way to be able to read email addresses than a paper signup sheet.

11--Decide: How many books should I bring? I’ll bring 8-10 of each title. I’d be VERY pleased if I sold that many!

12--Practice my talk some more.

That should do it!


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Posted in presentation, Ramona DeFelice Long; Greenville SC | No comments

Monday, 8 July 2013

Taking a break -writer style.

Posted on 23:00 by Unknown
Two days ahead of schedule, I turned in a 'complete' manuscript to my editor checking off writing book #2 of my eKensington series.  Now, I have one book left to write for my contract.  It's due November 1st.  I have 4 months. I need 3.

Now, if you think I'm going to talk about taking a long, restful vacation. Maybe fishing on Warm Lake like the guys in the picture? Uhm, have you met me?  No, my break time will be spent returning to my world of romance.

So instead of diving back into the California cozy world I'm building, I'm working on some romance projects. The first one is a completely new story. Not a continuation of either the Bull Rider's series or The Council series.  Brand new people, new world, new setting. Having a solid three chapters and a partial, I'm setting that project aside and returning to Shawnee, Idaho - or actually Boise, where my bull rider is finding his days of the player coming to a close.

I was writing Jesse's story when I sold my cozy series and had to put the book away while I got the first two books on my editors desk. And I don't have much time before I have to return to book #3. So I'll be focusing on finishing by the end of July. 33000 words in 24 days. Or 1375 a day. Not unworkable. But a challenge.

Wish me luck.

What are your summer plans? Do you have a fun project you 'want' to finish?
Lynn
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Posted in contemporary romance, cowboy romance., Lynn Cahoon, summer, vacation break | No comments

Nothing Better to Do

Posted on 06:49 by Unknown
My dog, Rascal, gets easily bored. She also craves attention. On nice weather days she's content to sun herself in our backyard.  However, on the not so nice days, especially the rainy ones, she's got nothing better to do than to get into devilment.

I watch her casing the house, searching for targets. Her favorite is paper. At times, I'll purposely leave unneeded papers on the floor under my desk to prevent her from finding  more important ones and destroying them. Okay, I'm not the neatest person in the world, but I do try. Still, she's adept at foraging into odd spots and finding bounty.

Today, she discovered a gauze bandage complete with wrapper, which had apparently fallen under the dining room table, or perhaps onto one of the chairs. I didn't notice it beforehand, but her x-rays vision did!


Don't feel sorry for her. She's got plenty of toys to play with, but they sit neglected. To her, something new is always better. Not only is it fun to chew, but it also gains my attention.


This time I was able to offer her one of her marrow bones, plus a few stuffed animals in exchange for the papers, and she actually played with them  for a few minutes. Right now, she's decided to sleep and give me some peace. I'm not sure how long that will last.



What does Rascal have to do with mysteries? Well, to paint a well-rounded villain, the author should in some way hint at or present a reason why that person chose the wrong path. A few that fit with Rascal's scenario might also apply to your villain. Perhaps that person, with nothing compelling enough to hold interest, such as a hobby, a job, or a cause, sought to relieve boredom by going down the wrong path. Or, perhaps, that person as a child was ignored by parents or guardians. Or, later, for some reason that person went unnoticed by peers. Performing an illegal act, even going so far as to murder one or more people, may seem the perfect solution for gaining attention. The media only feeds the frenzy, by highlighting abnormal behavior, almost to the point of rewarding the perpetrator.

Of course, there are tons of other motives for villains to commit crimes. Maybe you'd like to name one and offer a book or real life example.


Morgan Mandel writes when she gets bored and at other
times. Find excerpts from her mysteries and romances
at http://morgansbooklinks.blogspot.com

Website: http://www.morganmandel.com

Twitter: @MorganMandel

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Posted in Morgan Mandel, mysteries, Nothing better to do, Rascal, romances, villain | No comments

Thursday, 4 July 2013

Independence Day

Posted on 12:02 by Unknown

INDEPENDENCE DAY

Respectfully submitted by Randy Rawls

            For several years, I've watched our country turn from the celebration of Independence Day to the celebration of July 4th Shop 'til You Drop Day, or July 4th New Car Discount Day, or July 4th at the Mall Day, or July 4th Fireworks Day — or the biggie, July 4thDrink and Eat all You Can Day.  It seems that far too few remember why we have a holiday on July 4th.  So, I hope you'll forgive me if I wave the flag and offer a read that is unique to us, citizens of the United States.


IN CONGRESS, JULY 4, 1776

The unanimous Declaration of the thirteen united States of America

When in the Course of human events it becomes necessary for one people to dissolve the political bands which have connected them with another and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. — That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, — That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness. Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly all experience hath shewn that mankind are more disposed to suffer, while evils are sufferable than to right themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object evinces a design to reduce them under absolute Despotism, it is their right, it is their duty, to throw off such Government, and to provide new Guards for their future security. — Such has been the patient sufferance of these Colonies; and such is now the necessity which constrains them to alter their former Systems of Government. The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute Tyranny over these States. To prove this, let Facts be submitted to a candid world.

   He has refused his Assent to Laws, the most wholesome and necessary for the public good.

   He has forbidden his Governors to pass Laws of immediate and pressing importance, unless suspended in their operation till his Assent should be obtained; and when so suspended, he has utterly neglected to attend to them.

   He has refused to pass other Laws for the accommodation of large districts of people, unless those people would relinquish the right of Representation in the Legislature, a right inestimable to them and formidable to tyrants only.

   He has called together legislative bodies at places unusual, uncomfortable, and distant from the depository of their Public Records, for the sole purpose of fatiguing them into compliance with his measures.

   He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people.

   He has refused for a long time, after such dissolutions, to cause others to be elected, whereby the Legislative Powers, incapable of Annihilation, have returned to the People at large for their exercise; the State remaining in the mean time exposed to all the dangers of invasion from without, and convulsions within.

   He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.

   He has obstructed the Administration of Justice by refusing his Assent to Laws for establishing Judiciary Powers.

   He has made Judges dependent on his Will alone for the tenure of their offices, and the amount and payment of their salaries.

   He has erected a multitude of New Offices, and sent hither swarms of Officers to harass our people and eat out their substance.

   He has kept among us, in times of peace, Standing Armies without the Consent of our legislatures.

   He has affected to render the Military independent of and superior to the Civil Power.

   He has combined with others to subject us to a jurisdiction foreign to our constitution, and unacknowledged by our laws; giving his Assent to their Acts of pretended Legislation:

   For quartering large bodies of armed troops among us:

   For protecting them, by a mock Trial from punishment for any Murders which they should commit on the Inhabitants of these States:

   For cutting off our Trade with all parts of the world:

   For imposing Taxes on us without our Consent:

   For depriving us in many cases, of the benefit of Trial by Jury:

   For transporting us beyond Seas to be tried for pretended offences:

   For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies

   For taking away our Charters, abolishing our most valuable Laws and altering fundamentally the Forms of our Governments:

   For suspending our own Legislatures, and declaring themselves invested with power to legislate for us in all cases whatsoever.

   He has abdicated Government here, by declaring us out of his Protection and waging War against us.

   He has plundered our seas, ravaged our coasts, burnt our towns, and destroyed the lives of our people.

   He is at this time transporting large Armies of foreign Mercenaries to compleat the works of death, desolation, and tyranny, already begun with circumstances of Cruelty & Perfidy scarcely paralleled in the most barbarous ages, and totally unworthy the Head of a civilized nation.

   He has constrained our fellow Citizens taken Captive on the high Seas to bear Arms against their Country, to become the executioners of their friends and Brethren, or to fall themselves by their Hands.

   He has excited domestic insurrections amongst us, and has endeavoured to bring on the inhabitants of our frontiers, the merciless Indian Savages whose known rule of warfare, is an undistinguished destruction of all ages, sexes and conditions.

   In every stage of these Oppressions We have Petitioned for Redress in the most humble terms: Our repeated Petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant, is unfit to be the ruler of a free people.

   Nor have We been wanting in attentions to our British brethren. We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity, and we have conjured them by the ties of our common kindred to disavow these usurpations, which would inevitably interrupt our connections and correspondence. They too have been deaf to the voice of justice and of consanguinity. We must, therefore, acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends.

   We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these united Colonies are, and of Right ought to be Free and Independent States, that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. — And for the support of this Declaration, with a firm reliance on the protection of Divine Providence, we mutually pledge to each other our Lives, our Fortunes, and our sacred Honor.

   New Hampshire:
Josiah Bartlett, William Whipple, Matthew Thornton

Massachusetts:
John Hancock, Samuel Adams, John Adams, Robert Treat Paine, Elbridge Gerry

Rhode Island:
Stephen Hopkins, William Ellery

Connecticut:
Roger Sherman, Samuel Huntington, William Williams, Oliver Wolcott

New York:
William Floyd, Philip Livingston, Francis Lewis, Lewis Morris

New Jersey:
Richard Stockton, John Witherspoon, Francis Hopkinson, John Hart, Abraham Clark

Pennsylvania:
Robert Morris, Benjamin Rush, Benjamin Franklin, John Morton, George Clymer, James Smith, George Taylor, James Wilson, George Ross

Delaware:
Caesar Rodney, George Read, Thomas McKean

Maryland:
Samuel Chase, William Paca, Thomas Stone, Charles Carroll of Carrollton

Virginia:
George Wythe, Richard Henry Lee, Thomas Jefferson, Benjamin Harrison, Thomas Nelson, Jr., Francis Lightfoot Lee, Carter Braxton

North Carolina:
William Hooper, Joseph Hewes, John Penn

South Carolina:
Edward Rutledge, Thomas Heyward, Jr., Thomas Lynch, Jr., Arthur Middleton

Georgia:
Button Gwinnett, Lyman Hall, George Walton
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Wednesday, 3 July 2013

Where To Watch World War Z Full Movie Online

Posted on 09:40 by Unknown

"Where To Watch World War Z Full Movie" 

American post-apocalyptic horror movie from 2013, directed by Marc Forster. Script was written by Matthew Michael Carnahan, Drew Goddard and Damon Lindelof, and the music was composed by Marco Beltrami. Is produced by Brad Pitt and Dede Gardner. The film is an adaptation of the novel "World War Z" by Max Brooks. The book tells the story of humanity at the end of World War fought with the living dead. The story is a UN worker, who developed world war z full movie 10 years after the war, interviews with survivors. The film begins in Philadelphia dominated epidemic that played on the screen Scottish Glasgow. One ordinary day, during a quiet car, Gerry Lane and his family caught in a huge traffic jam. Lane, a former UN investigators quickly senses that it what they are dealing is not an ordinary street blockade. In the sky, hear the police helicopters circling the streets of policemen on motorcycles, and the city plunged into chaos. Something that makes a group of people savagely attack each other. Deadly virus that spreads through the bite turns healthy people into something difficult to define, like where to watch world war z full movie - this is wild. A neighbor turns against neighbor, helpful stranger suddenly becomes a dangerous enemy. The origin of the virus is unknown and the number of infected is increasing day by day, which soon becomes a global pandemic. This film starring Brad Pitt as Gerry Lane, Mireille Enos - Karin Lane, Daniella Kertesz - Segen, James Badge Dale - Captain Speke, Ludi Boeken - Jurgen Warmbrunn, Matthew Fox - Jumper, Fana Mokoena - Thierry Umutoni, David Morse - Former CIA agent.

You can watch world war z full movie here http://www.youtube.com/watch?v=q1m5xqpsDlA

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World War Z Full Movie - Review

Posted on 09:35 by Unknown

World War Z Review

World War Z

 

Cinema loves well-defined conflicts, they have a sense that the zombie apocalypse happened to Brad Pitt restrained. It is difficult for the more glaring opposition: a swarm of swirling opposed emanującemu Dead heat, tranquility and beauty gwiazdorowi. Anonymous mass versus king celebrities. Replacement collective hero stellar figure is indeed contrary to the literary original, in which the voice of many witnesses were reaching the cover of war. However, this is - surprisingly - quite unusual approach to the conventions of a zombie movie. Typically, I'm rooting for her the whole teams everymanów yet. What is fresh meat for the cinema of the Dead, the blockbuster is true bread and butter, but this connection is born quite tasty whole.

In the opening minutes of the film anyway Pitt stretches before us aura of everybody else. Watch perfectly normal morning perfectly ordinary family: husband (Pitt), his wife (Mireille Enos) and two daughters. The first stage - along with followed by the sequence of Philadelphia - have spielbergowski character, reminiscent of "War of the Worlds". But not everyone everyman can count on the fact that the UN sent a specially after the helicopter when all hell broke loose. Gerry Lane (Pitt) is in fact necessary to fulfill the mission, whose aim will be to discover the source of the mysterious outbreak. When duty calls, the wife and kids go to be put out. Fortunately, Gerry, though noble and resourceful, not suddenly przepoczwarzy action movie hero.

Topic "zombie-apocalypse through the eyes of an ordinary family" is, however, only the first one of the ways that the film by Marc Forster. Episodic structure "World War Z" has something to do with the nature of computer game: Gerry visits the outpost, where he has to talk with key figures and avoid becoming his way of danger. Final sequence indeed closer to the "Half-Life" than to "Night of the Living Dead." But this diversity of action - though a bit mechanical - works in favor of the film. There is a lot going on and there is no room for boredom. We get among other picturesque gallery supporting character in the subsequent visit by the hero points. It chwatów group of Marines (led by James Badge'em Dale), suspicious of scientists from the World Health Organization and - most interesting of them - Hard Israeli soldiering (Daniella Kertesz), which together with Gerry survive some tough moments. Observant viewers also seeking the Matthew Fox - a surprising cameo role.

Theme zombies - at least since the time of Romero who is grateful to the various social media cinematic metaphor - here used as an excuse to portray the contemporary "crisis" of the world. In the role of "outraged" - the legions of the living dead in his wszędobylskości equating global balance of power. Appears absurd even a few fun ideas on how different countries (especially North Korea) would deal with the plague of zombies. Also surprising restraint powiewaniu artists in the American flag. United States fall under the onslaught of the plague as fast as the rest of the world, and Gerry rulers have no qualms to blackmail and threaten him throwing his family a secure government ship. Odd Man Out - especially in difficult times.
 
Although it is a film about zombies, Forster remains soft within the category of PG-13. Blood's not too much, the more wywalania tripe. The film keeps you in suspense - at least once podskoczycie the chair cinema - but it's not a horror movie. The living dead threaten equally as fun. There are some good ideas visual and staging, especially painting swirling hordes of zombies, and the scene in which Gerry examines the transformation of infected victims. In some places, however, you can see traces of execution of turbulence, to prevent which it took up to four screenwriters and tightened at the last minute a new ending. Forster is also quite scruffy director; standard - the more is happening on the screen, the less you see. This is why it is a very good final episode, in which instead of the chaotic bustle dominates and slowly creeping tension built. Contrary to the blockbuster tradition that the further away, the more! harder! stupid!, "World War Z" finishes with impressive restraint. A visit to the cinema Zombielandzie is therefore relatively successful.
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World War Z Starring

Posted on 09:32 by Unknown
Produced by
Ian Bryce    ....     producer
David Ellison    ....     executive producer
Dede Gardner    ....     producer
Dana Goldberg    ....     executive producer
Tim Headington    ....     executive producer
Graham King    ....     executive producer
Jeremy Kleiner    ....     producer
Jillian Kugler    ....     associate producer
Brad Pitt    ....     producer
Paul Schwake    ....     executive producer
Bradford Simpson    ....     executive producer

Original Music by
Marco Beltrami        

Cinematography by
Ben Seresin        

Film Editing by
Roger Barton        
Matt Chesse        

Casting by
Kate Dowd        

Production Design by
Nigel Phelps        

Art Direction by
Jon Billington         (supervising art director)
Ben Collins        
James Foster        
Alan Gilmore         (senior art director)
Matthew Gray        

Set Decoration by
Jennifer Williams         (chief set decorator)

Costume Design by
Mayes C. Rubeo        

Makeup Department
Sally Alcott    ....     prosthetic makeup artist
Anita Anderson    ....     crowd hair/makeup artist: dailies
Márta Antal    ....     prosthetic make up artist: Hungary
Tamar Aviv    ....     special makeup effects artist
Erzsébet Balogh    ....     special makeup effects artist
Csilla Blake-Horváth    ....     makeup artist: Hungary (as Csilla Horváth)
Jessica Brooks    ....     prosthetic makeup artist
Elaine Burns    ....     crowd hair/makeup artist: dailies
Szandra Bíró    ....     prosthetic makeup artist: Hungary
Karen Cohen    ....     makeup supervisor
Ricardo Contreras    ....     special makeup effects artist
Mark Coulier    ....     prosthetic makeup designer
Lauren Katie Cox    ....     makeup and hair junior
Robb Crafer    ....     prosthetics hair artist
Melinda Daru    ....     special makeup effects artist: Hungary
Krisztina Fehér    ....     makeup artist: Hungary
Ann Fenton    ....     hair and makeup artist
Annette Field    ....     prosthetics hair stylist
Patt Foad    ....     prosthetic makeup assistant
Wendy Kemp Forbes    ....     additional hair stylist
Szandra Gerö    ....     special makeup effects artist: Hungary
Clarice Gill    ....     make up & hair artist
Richard Glass    ....     contact lens optician
Lee Gren    ....     graphic designer specialty tattoos: Tinsley Studio
Jo Grover    ....     prosthetic makeup artist
Hildegard Haide    ....     prosthetic makeup artist
Sarah Hamilton    ....     hair and make up trainee
Lesley Hamon    ....     prosthetics hair stylist
Frances Hannon    ....     make-up and hair designer
Shaune Harrison    ....     key prosthetic makeup artist
Charlotte Hayward    ....     hair and makeup artist
Kati Hood    ....     special makeup effects artist
Ernella Hortobágyi    ....     prosthetic makeup artist: Hungary
Szilvia Ipacs    ....     special makeup effects artist: Hungary
Carmel Jackson    ....     makeup artist
Duncan Jarman    ....     key prosthetic makeup artist
Beth John    ....     contact lens technician coordinator
Geraldine Jones    ....     personal hairstylist to Mr. Pitt
Nóra Kapás    ....     prosthetic makeup artist: Hungary
Ancsa Kriskó    ....     special makeup effects artist: Hungary
Frédéric Lainé    ....     special makeup effects artist
Karen Lamb    ....     standby contact lens optician
Ailsa Lawson    ....     prosthetic department
Andrea Leanza    ....     prosthetic makeup artist
Delia Letham    ....     additional crowd makeup
Laura Lilley    ....     crowd hair and makeup artist
Jane Logan    ....     crowd hair and makeup artist
Chris Lyons    ....     prosthetic teeth
Jane Maier    ....     prosthetics hair
Colum Mangan    ....     prosthetic makeup trainee
Sarah Jane Marks    ....     make up artist: daily
Emma Mash    ....     makeup trainee
Grace McComisky    ....     prosthetic makeup trainee
Annabelle McMahon    ....     prosthetic makeup trainee
Jon Moore    ....     special makeup effects artist
Angie Mudge    ....     crowd makeup artist
Stephen Murphy    ....     key prosthetics makeup artist
Orsolya Murányi    ....     special makeup effects artist: Hungary
Christopher Allen Nelson    ....     special makeup effects artist
Ivana Nemcova    ....     makeup artist
Barney Nikolic    ....     special makeup effects artist
Lesley Noble    ....     crowd hair and makeup artist
Douglas Noe    ....     prosthetic make up artist
Karen O'Sullivan    ....     crowd makeup and hair artist: dailies
Szabolcs-Levente Olvedi    ....     special makeup effects artist: Hungary
Tom Packwood    ....     mould maker
Szabolcs Papp    ....     special makeup effects artist: Hungary
Anthony Parker    ....     special makeup effects artist
Lisa Pemberton    ....     prosthetics trainee
Pierre Olivier Persin    ....     prosthetic makeup artist
Orsolya Petrilla    ....     special makeup effects artist: Hungary
Tamas Podhraczky    ....     prosthetic makeup artist: Hungary
Nina Pratley    ....     crowd hair junior: dailies
Nina Pratley    ....     crowd makeup junior: dailies
Robin Pritchard    ....     special makeup effects artist
Gemma Richards    ....     makeup artist
Adrian Rigby    ....     prosthetic makeup artist
Luigi Rocchetti    ....     makeup artist
Jemma Scott-Knox-Gore    ....     senior contact lens coordinator
Jan Sewell    ....     make up and hair supervisor: second unit
Emma Sheffield    ....     prosthetic make up artist
Leon Smikle    ....     special makeup effects artist
Clinton Smith    ....     prosthetics make up artist
Matthew Smith    ....     key prosthetic makeup artist
Stephanie Lynne Smith    ....     special makeup effects artist
Kristie Southcott    ....     prosthetic makeup assistant
Paul Spateri    ....     prosthetic make up artist
Nicole Stafford    ....     crowd makeup artist
Hovette Stephanie    ....     wig maker
Zoey Stones    ....     hair stylist
Lorenzo Tamburini    ....     prosthetic makeup artist
Barbara Taylor    ....     hair stylist: crowd
Barbara Taylor    ....     make up artist: crowd
Arjen Tuiten    ....     special makeup effects artist
Anna Törjék    ....     special makeup effects artist: Hungary
Tristan Versluis    ....     special makeup effects artist
Milan Vlcek    ....     makeup artist
Adam Volentics    ....     prosthetic makeup artist: Hungary
Krisztina Webber    ....     special makeup effects artist: Hungary
Simon Webber    ....     concept artist
William Overstall    ....     prosthetics: Animatronic Model Designer (uncredited)
Sian Turner    ....     makeup artist (uncredited)

Production Management
Winston Azzopardi    ....     production manager: Malta
Terry Bamber    ....     local production manager
Matthew Camilleri    ....     unit manager: Malta
Jennifer Conroy    ....     production supervisor: Hungary
Gabriella Csoma    ....     production manager: Hungary
Tamás Gál    ....     assistant production manager: second unit, Hungary
Steve Harding    ....     unit production manager
Amy Horkay    ....     assistant production manager: Hungary
Debra James    ....     unit production manager
Miranda Jones    ....     post-production supervisor
Jason Pomerantz    ....     production manager (IMAX Version)
Peter Seres    ....     production manager: second unit, Hungary
James Smith    ....     production manager: second unit, additional photography
Jennifer Teves    ....     production supervisor
Chris Wheeldon    ....     unit location manager: Malta

Second Unit Director or Assistant Director
Colin Azzopardi    ....     second assistant director crowd: Malta
Matthew Baker    ....     key second assistant director: additional photography
Joe Barlow    ....     crowd third assistant director: Malta
Paul Bennett    ....     second assistant director: additional photography
Clifford Breakfield    ....     second assistant director: additional photography
Monique Brown    ....     assistant director: additional photography
Tom Browne    ....     additional third assistant director
Glen Carroll    ....     third assistant director: second unit
Dave Casper    ....     first assistant director: additional photography
Nicole Chapman    ....     third assistant director: stunts
Fergus Cook    ....     crowd assistant director
Simon Crane    ....     second unit director
Ewan Dunbar    ....     crowd assistant director: Surrey
Lucy Egerton    ....     second assistant director: second unit
Julian Galea    ....     third assistant director
Louise Caruana Galizia    ....     third assistant director
Anna Piroska Geréb    ....     crowd third assistant director: Hungary
Daniel Gill    ....     third assistant director: crowd
Ahmed Hatimi    ....     first assistant director
Paul Hayes    ....     military assistant director
Toby Hefferman    ....     first assistant director
Sarah Hood    ....     second assistant director: crowd
Gary Huddless    ....     additional third assistant director: second unit, action vehicles
Jack Ivins    ....     assistant director: crowd
Dan John    ....     second assistant director
Sid Karne    ....     assistant director
Max Keene    ....     first assistant director: additional photography
László Kádár    ....     second assistant director: Hungary
Erin Lander    ....     third assistant director: pre-production
Terry Madden    ....     first assistant director: second unit
Keiran Mahon    ....     assistant director: second unit
Candy Marlowe    ....     crowd second assistant director
James McGrady    ....     third assistant director
Alex McKay    ....     crowd assistant director
Angélique Muller    ....     on-set assistant director
Bogi Móricz    ....     second assistant director: Hungary
Rita Nagy    ....     crowd second assistant director: Hungary
Shaun O'Dell    ....     second unit director
David Pinkus    ....     crowd second assistant director: Malta / Hungary
Ben Quirk    ....     third assistant director
Gary Richens    ....     additional third assistant director: second unit
Tom Rye    ....     second assistant director
Nick Shuttleworth    ....     key second assistant director
Vaughn Stein    ....     additional third assistant director
Rory Stewart    ....     assistant director: crowd
Matt Storey    ....     additional third assistant director
Jeff Taylor    ....     second assistant director: Malta
Andy Young    ....     third assistant director

Art Department
David Allcock    ....     storyboard artist
Giles Asbury    ....     storyboard artist
Ravi Bansal    ....     concept artist
Sandra Banthorpe    ....     set dresser buyer
Jon Billington    ....     production designer: additional photography
Béla Blazsej    ....     swing gang: Hungary
Liz Boulton    ....     dyer/draper
Mairi Claire Bowser    ....     art department runner
Dávid Breier    ....     assistant set dresser: Hungary
Cara Brower    ....     assistant art director
Christopher Brändström    ....     creature designer
Ken Burnett    ....     chargehand props
Claudio Campana    ....     set designer
Tina Charad    ....     art director graphics
Lino Chetcuti    ....     decor/lettering artist
Tammie Childress    ....     set dresser: reshoot unit
Sophia Chowdhury    ....     assistant set decorator
Robert Consing    ....     concept sequence designer
David Conway    ....     props
Will Coubrough    ....     assistant art director
Paul Couch    ....     head painter (segments)
Charlotte Crosbie    ....     production buyer
Lily Currie    ....     prop maker
Gabriela Dolenska    ....     art department coordinator
Jim Elliott    ....     props
Scott Elms    ....     carpenter
Seth Engstrom    ....     concept artist
Gregory Fangeaux    ....     3D set designer
Richard Flower    ....     propmaker
Pip Fox    ....     props
Kim Frederiksen    ....     concept artist
Andrea Gauci    ....     model maker
Lisa Goldsmith    ....     assistant set decorator
Bruce Gordon    ....     sculptor
Jakab Gábor    ....     stand-by props: Hungary
Szabó Gábor    ....     stand-by props
Joseph Harlow    ....     prop modeller
Justin Hayzelden    ....     chargehand stand-by props: second unit
Justin Hayzelden    ....     dressing props
Nicholas Henderson    ....     assistant art director
Jason Horley    ....     concept artist
Geoff Hubbard    ....     construction manager
Clive Ingleton    ....     decor/lettering artist
Douglas Ingram    ....     storyboard artist
Piero Jamieson    ....     props
Kevin Jenkins    ....     concept artist
Ben Johnson    ....     props
Jeff Julian    ....     concept designer
Michael King    ....     production buyer
Moni Kovacs    ....     set decorator/props coordinator: Hungary
Péter Kovács    ....     construction coordinator: Hungary
Jen Lambert    ....     construction medic (as Jennifer Lambert)
Ashley Lamont    ....     second unit stand-by art director
Tuyet van thi Mach    ....     art department assistant (as Teek van Mach)
Andrew 'Fred' MacMillan    ....     prop hand
Laura Marsh    ....     assistant set decorator
Gary Martin    ....     dressing props
Hugh McClelland    ....     art department assistant
Hugh McClelland    ....     model maker
Jon McCoy    ....     concept artist
Christian McDonald    ....     storeman
Aoife McKim    ....     assistant buyer
Paul McNamara    ....     dressing props
Amy Meakin    ....     props coordinator
Alexandra Miklos    ....     assistant graphic artist
Micky Mills    ....     props
Sian Molloy    ....     assistant buyer dailies
Steven Morris    ....     assistant prop master: additional photography
Colin Mutch    ....     chargehand stand by props
Jonathan Norman    ....     props
Gábor Németh    ....     set breakdown
Paul Oatway    ....     changehand props: re-shoot
Camise Oldfield    ....     graphic artist
Tyler Patton    ....     art director: additional photography
Alice Phelps    ....     art department assistant
Kate Pickthall    ....     junior draughtsman
Adrian Platt    ....     chargehand dressing props
Andrew Proctor    ....     draughtsman
Adam Rashbrook    ....     stagehand
Mark Reynolds    ....     stand by props
Gergely Rieger    ....     art department assistant: Hungary
Malcolm Roberts    ....     construction coordinator
Lauren Rosenbloom    ....     assistant art director
Jack Salkeld    ....     dressing props: additional photography
Luke Sanders    ....     art department assistant
Tony Sheridan    ....     prop man
Dominic Sikking    ....     graphic designer
Thomas Smith    ....     props
Hayley Easton Street    ....     art director: digital sets
Hayley Easton Street    ....     art director: vfx
Dorothy Sullivan    ....     assistant production buyer
Gábor Szabó    ....     stand-by props: Hungary
Marton Szalay    ....     set dressing leadman: Hungary
Zoltán Sárdi    ....     draftsman: Hungary
Andrew Tapper    ....     graphic designer
Sophie Tarver    ....     prop maker
Charis Theobald    ....     additional graphics
Kristin Theyers    ....     props storeman
Daniel Thompson    ....     carpenter
Béla Tollay    ....     stand-by props: Hungary
Chris Tooth    ....     graphic designer
Maximilian-Gordon Vogt    ....     creature designer
Wolfgang Walther    ....     stand-by rigger
Amanda Ward    ....     props painter
Brigitte Ward-Holmes    ....     construction buyer
John Whitby    ....     carpenter
Dennis Wiseman    ....     property master
Lee Wiseman    ....     assistant property master
Darren Wisker    ....     props
Rebecca Wood    ....     armoury props
Shanna Worsham    ....     art department assistant
Helen Xenopoulos    ....     assistant art director
Paul Bufton    ....     prop dressing (uncredited)
Francesco Corvino    ....     concept artist (uncredited)
Francesco Corvino    ....     matte painter (uncredited)

Sound Department
Tom Barrow    ....     sound mixer: second unit
Orin Beaton    ....     boom operator: main unit
Anna Behlmer    ....     sound re-recording mixer
Michael Botha    ....     adr recordist
James Boyle    ....     supervising sound designer
Jason Canovas    ....     dialogue editor
Simon Chase    ....     dialogue editor
Ben Collinson    ....     sound assistant
Lloyd Dudley    ....     second boom operator
Robert Edwards    ....     adr mixer
Joel Erickson    ....     assistant sound editor
Thomas Fennell    ....     sound assistant
Tim Fraser    ....     production sound mixer
Luke Gentry    ....     sound apprentice
Judah Getz    ....     adr mixer
Dominic Gibbs    ....     sound effects editor
Dawn Gough    ....     foley editor
Lora Hirschberg    ....     sound re-recording mixer
John Hughes    ....     sound
James Hyde    ....     adr recordist
Nick Kray    ....     adr mixer
Steve Little    ....     dialogue editor
Mitch Low    ....     second unit sound mixer
David Mackie    ....     assistant sound editor
Stephane Malenfant    ....     boom operator (second unit)
John Marquis    ....     supervising sound designer
Dash Mason-Malik    ....     sound assistant: second unit
Ben Meechan    ....     sound effects editor
György Mihályi    ....     boom operator: Hungary
Kevin Penney    ....     supervising foley editor
Gwilym Perry    ....     adr re-recording mixer
Tobias Poppe    ....     sound designer
Mac Ruth    ....     production sound mixer: Hungary
Ric Schnupp    ....     adr recordist
Lee Sharp    ....     sound assist: second unit
John Simpson    ....     foley artist
Lisa Simpson    ....     additional foley recordist
Alastair Sirkett    ....     sound effects editor
Peter D. Smith    ....     foley recordist
James Spencer    ....     mix technician
Kelly Stewart    ....     boom operator (dailies)
Nigel Stone    ....     supervising sound editor
Paul Tirone    ....     adr recordist
Justin Van Hout    ....     assistant adr recordist
Balazs Varga    ....     utility sound: Hungary
Max Walsh    ....     adr recordist
Stuart Wilson    ....     production sound mixer

Special Effects by
Sophie Allen    ....     special effects modeller
Tim Ambridge    ....     special effects crew
Yossi Bechor    ....     special effects crew: second unit coordinator (as Joseph Bechor)
Paul Brady    ....     special effects technician
Christopher Brennan    ....     special effects technician: additional photography
David Brighton    ....     special effects workshop supervisor
Ben Broadbridge    ....     special effects technician
Julian Butterfield    ....     special effects technician
Kenneth Cassar    ....     senior technician
Garry Cooper    ....     senior sfx technician
Neil Corbould    ....     special effects supervisor
Aaron Cox    ....     special effects technician
Craig Daly    ....     snow effects technician
Peter Fern    ....     senior special effects technician: additional photography
Nick Finlayson    ....     senior special effects technician
Terry Flowers    ....     special effects floor supervisor
Terry Glass    ....     floor supervisor: second unit
Alexander Gunn    ....     floor supervisor: second unit, Malta
Victoria Hawden    ....     special effects co-ordinator
Peter Hawkins    ....     senior animatronics technician
Stuart Heath    ....     lead senior special effects technician
Matthew Horton    ....     senior special effects technician
Mark Hutchinson    ....     snow effects technician
Terry Jones    ....     special effects senior technician
Hassan Craftz Kamara    ....     special effects assistant
Leon Keegan    ....     special effects crew
Gabor Kiszelly    ....     special effects supervisor: Hungary
Anna Krawczyk    ....     special effects assistant
Alex Landrum Jr.    ....     snow effects technician
Gergely Laszlo    ....     snow vfx technician
Craig Leong    ....     special effects technician
Matt Lewis    ....     special effects technician
Luke Marcel    ....     special effects technician
Doug McKenna    ....     sfx safety advisor
Martin 'Marty' McLaughlin    ....     snow supervisor
David Monypenny    ....     special effects trainee
Rupert Morency    ....     special effects assistant technician
Neil Murray    ....     special effects wireman
Karl Openshaw    ....     senior special effects technician
Jalila Otky    ....     special effects coordinator
Steve Painter    ....     animatronics floor supervisor
David Payne    ....     special effects location supervisor
Stefano Pepin    ....     special effects floor supervisor: additional photography
Ken Petrie    ....     special effects technician
Nick P. Phillips    ....     special effects senior technician: additional photography
László Pintér    ....     special effects technician
Roderick Pulis    ....     special effects head technician
Ronnie Rackley    ....     special effects: additional photography
Lee Rider    ....     workshop supervisor
Jacob Roanhaus    ....     lab technician: Legacy Effects
Darren Robinson    ....     animatronics supervisor
Grant Rogan    ....     special effects technician
Corina Rosca    ....     special effects manager & buyer
John Rosengrant    ....     character design supervisor: Legacy Effects
Tibor Skornyak    ....     special effects technician
Mark Vanstone    ....     senior technician
Alastair Vardy    ....     special effects technician
Cliff Wallace    ....     animatronic workshop supervisor
David Watkins    ....     special effects co-supervisor
Gareth Wingrove    ....     special effects floor supervisor: second unit, Hungary
Barry Woodman    ....     special effects
Cole Taylor    ....     legacy effects coordinator (uncredited)
Olivia Whitaker    ....     special effects makeup (uncredited)

Visual Effects by
Nidhi Agarwal    ....     matchmove artist: MPC
Nidhi Agarwal    ....     matchmove lead
Rohit Agarwal    ....     matchmove and roto animation artist: The Moving Picture Company
Carmine Agnone    ....     matchmove artist: MPC
Fayeez Ahmed    ....     rendering technical director: Cinesite
Axel Akesson    ....     lighting td: Cinesite
Holly Aldersley    ....     roto/prep artist
Maria Asim Ali    ....     stereoscopic conversion compositor
Oliver Allen-Wielebnowski    ....     lead stereoscopic compositor
Iker Alonso    ....     lighter: Cinesite
Justin Alvarez    ....     compositor: Cinesite
Peter Amachree    ....     texture artist: Cinesite
Jill Ambrosino    ....     previsualisation producer
Paul Amiras    ....     vfx stills photography: Cinesite
Valeria Andino    ....     stereoscopic conversion producer
Luke Armstrong    ....     digital compositor
Gabriel Arnold    ....     effects technical director: MPC
Ruth Asensio    ....     layout artist: MPC
K.H. Aslam    ....     senior matchmove artist
Mathieu Assemat    ....     lead technical animator
James Aston    ....     matchmove artist
Atanas Atanasov    ....     senior modeller: Cinesite
Nicola Atkinson    ....     layout artist: MPC
Patrice Avery    ....     previs producer: HALON
Derek Babchishin    ....     senior animator
Nithin Babu    ....     roto/prep artist: MPC
Thai Bach    ....     lighting artist
Dimitri Bakalov    ....     animator: Cinesite
Richard Baker    ....     senior stereographer
Dorothy Ballarini    ....     texture artist: MPC
Hernan Barros    ....     stereo conversion colead
Peter Bartfay    ....     stereoscopic compositor
Bryan Bartlett    ....     compositor: MPC
Gunjan Baruah    ....     roto & paint artist
Sam Bassett    ....     lead compositor: MPC London
Dan Batt    ....     paint & roto artist: Cinesite
Jeremy Bazin    ....     stereoscopic compositor
Leah Beevers    ....     technical animator
Richard A.M. Bell    ....     lighter: Cinesite
Miles Bellas    ....     senior texture artist
Nadir Benhassaine    ....     roto/prep department manager
Stephen Bennett    ....     digital compositor: MPC
Prabir Bera    ....     lead stereoscopic compositor
Emma Berkeley    ....     texture artist: Cinesite
Jan Berner    ....     lead effects/cloth technical director: Cinesite
Moti Biran    ....     digital compositor
Kanishk Deb Biswas    ....     roto/animation artist: The Moving Picture Company
Peter Blackburn    ....     compositor
Peter Blackburn    ....     lead stereo compositor
Gerald Blaise    ....     digital modeler: MPC
Mariano Blanc    ....     lead software developer
Olivier Blanchet    ....     senior digital compositor
Mawusime Blewuada    ....     matchmover: Cinesite
Joel Bodin    ....     lighting lead
Eleanor Bond    ....     texturer: Cinesite
Amanda Bone    ....     texture artist: MPC
Philip Borg    ....     lighter: Cinesite
Matt Boyer    ....     on-set matchmover: Cinesite
Dameon Boyle    ....     lead groom artist
Richard Boyle    ....     rigger: Cinesite
Dhiraj Brahma    ....     senior paint/prep artist: MPC
Benjamin Bratt    ....     roto/prep artist
Dan Breckwoldt    ....     lead compositor: MPC
A.J. Briones    ....     previsualization artist
Matthew Bristowe    ....     stereoscopic producer
Andrew Brittain    ....     senior matchmove artist
Andrew Brittain    ....     senior stereoscopic artist
Ben Brown    ....     matchmove artist
Kari Brown    ....     senior effects technical director: Cinesite
Boris Bruchhaus    ....     effects technical director: MPC
Cody Brunty    ....     visual effects artist
Marc Bryant    ....     effects td: Cinesite
Rob Bryson    ....     digital compositor: MPC
Marc Brzezicki    ....     co-lead stereo conversion artist
Matt Bugeja    ....     roto animator
Daniel Buhigas    ....     lighter: Cinesite
Julian Burt    ....     lead roto animation artist
Elise Butt    ....     view-d editor
Conor Byrne    ....     visual effects editor: MPC
Angus Cameron    ....     stereo supervisor: Cinesite
Daniela Campos Little    ....     lead matchmove artist
Francesco Capone    ....     stereo conversion td assistant
Marco Carboni    ....     crowd sim lead: MPC
Ean Carr    ....     compositing sequence lead: Cinesite
Chas Cash    ....     effects td: Cinesite
Andre Castelao    ....     crowd td: Cinesite
Tom Castellani    ....     senior technical director: stereo conversion
André Castelão    ....     motion editor
James Cattell    ....     digital compositor
Remi Cauzid    ....     rigger
Mike Chambers    ....     visual effects consultant
Thomas Champon    ....     motion capture technical director: MPC
Justin Tatsuo Chan    ....     visual effects production coordinator: ILM (as Justin Chan)
Solene Chan-lam    ....     texture artist: Cinesite
Malavika Chandrakanth    ....     roto/prep artist
Barish Chandran    ....     senior pipeline developer
Vikki Chapman    ....     stereoscopic coordinator
Michael Cheung    ....     data coordinator
Daniel Chirwa    ....     compositor
Jung-Yoon Choi    ....     lead texture artist: MPC
Bryan Chojnowski    ....     previs artist
Andy Chopping    ....     photographer
Charles Chorein    ....     lighting td
Martin Ciastko    ....     compositing sequence lead: Cinesite
Peter Clayton    ....     lead animator: Cinesite
Richard Clegg    ....     lead lighting technical director
Chris Clough    ....     modeller: Cinesite
Simone Coco    ....     digital compositor
Gregory Coelho    ....     modeler / texture artist
Esme Coleman    ....     stereoscopic compositor
Peter Collins    ....     digital intermediate
Richard Collis    ....     environment artist
Lyle Cooley    ....     crowd td: Cinesite
Stephanie Cooper    ....     stereoscopic compositor
Laurent Cordier    ....     modelling & texture artist: Cinesite
Juan Francisco Correa Diaz    ....     rigging td
Cleber Coutinho    ....     digital i/o: Cinesite
Oliver Cubbage    ....     digital artist
James Cundill    ....     senior view-d editor
Matthew D'Angibau    ....     on set match-mover: Cinesite
Marcello Da Silva    ....     lead roto animation artist
Marc Dando    ....     digital supervisor
Jose Augusto David    ....     view-d artist
Kirsty Davies    ....     digital i/o: Cinesite
Maurizio De Angelis    ....     cg modeler: MPC
Chris Del Conte    ....     managing director: 3D Conversion
Jake Delaney    ....     stereoscopic coordinator
Caroline Delen    ....     concept artist
Stanley A. Dellimore    ....     head of layout: MPC
Chong Deng    ....     render technical director
Kunal Desai    ....     modeller: Cinesite
Thomas Devorsine    ....     lighting td
Adam Dewhirst    ....     lead modeller: Cinesite
Lee Dexter    ....     layout artist: Cinesite
Sylvan Dieckmann    ....     sequence lead
Kenny DiGiordano    ....     previs artist: Halon
Dobril Dobrev    ....     cloth technical director: Cinesite
Nico Domerego    ....     modelling & texture artist: Cinesite
Hannes Doornaert    ....     stereoscopic compositor
Tom Duckett    ....     stereo conversion artist
Jeremie Ducrocq    ....     digital compositor: MPC
Peter Dudley    ....     compositor
Nicole Duncan    ....     visual effects coordinator
Sudip Dutta    ....     matchmove artist: The Moving Picture Company
Kishan E. Chandran    ....     matchmove artist: The Moving Picture Company
Rodrigo Echevarría    ....     stereoscopic compositor
Richard Edwards    ....     stereoscopic production coordinator
Karen Elliott    ....     stereoscopic conversion compositor
Jane Ellis    ....     visual effects line producer: Cinesite
Dan Elvins    ....     digital i/o: Cinesite
Andrew Emmerson    ....     lead stereo artist
Zsuzsanna Erdei    ....     matchmove artist: MPC
Robert Eskekarr    ....     digital compositor
Ana Laura Esperón    ....     digital compositor: MPC
Gianpietro Fabre    ....     modeling and texturing: MPC
Lawrence Fagan    ....     spydercam flight control
Fathima Feminò    ....     compositor: MPC
Alex Fenn    ....     assistant visual effects editor
Andrew Fensom    ....     compositor: Cinesite
Bruno Fernandes    ....     digital compositor: Cinesite
Catarina Ferreira    ....     stereo compositor: Cinesite
Vincent Fiere    ....     matte painter
James D. Fleming    ....     compositing supervisor
Andrew Fletcher    ....     compositor: Cinesite
Mark Fry    ....     paint/prep artist
David Frylund Otzen    ....     modeler
Pawl Fulker    ....     previsualisation supervisor
Amy Furey    ....     data operator: Cinesite
Amy Furey    ....     rotomation artist: Cinesite
Leila Gaed    ....     lighting technical director: Cinesite
Iftekhar Gafar    ....     visual effects personal assistant: second unit
Joe Gaffney    ....     lead shader writer: Cinesite
Aron Galabuzi    ....     visual effects
Murray Gale    ....     visual effects coordinator: Cinesite
Caroline Garrett    ....     production support: Cinesite
Nikos Gatos    ....     senior lighting technical director: Cinesite
Mark Gelfuso    ....     senior lighting technical director
Jack George    ....     visual effects coordinator
Abhishek Ghorui    ....     digital artist
Abhishek Ghorui    ....     visual effects artist
Adam Glasman    ....     supervising digital colourist
Chris Gooch    ....     senior compositor: MPC
Zoran Grambozov    ....     matchmove artist
Luke Gray    ....     stereoscopic lead
Paul Greenwood    ....     compositor: Cinesite
John Grotelueschen    ....     compositor: Cinesite
James Grummitt    ....     production assistant
Ummi Gudjonsson    ....     visual effects artist
Nicolas Guiraud    ....     visual effects artist
Ole Guldbrandsen    ....     pipeline td: Cinesite
Carl Guyenette    ....     visual effects artist
Oliver Hagar    ....     lead roto/prep artist
Karen Halliwell    ....     rigger: Cinesite
Nick Hanks    ....     layout artist
Michael Harden    ....     vfx edit assistant
Emile Hardy    ....     compositor: Cinesite
Jack Harris    ....     rotomation artist
Patricio Harris    ....     postvis artist
Ben Harrison    ....     assistant production manager: stereo conversion
Michael Harrison    ....     digital compositor
Dan Harrod    ....     compositor: Cinesite
Guy Hauldren    ....     head of 3D scanning
Arnaud Havart    ....     environment artist: MPC
Ed Hawkins    ....     compositing supervisor: Cinesite
Jason Hayes    ....     stereoscopic compositor
Martin Hession    ....     texture artist
Matt Hicks    ....     visual effects photographer
Cristian Hinz    ....     lead creature effects td
Thomas Rotohiko Hobman    ....     visual effects artist
Duncan Holland    ....     visual effects
Jason Horley    ....     concept artist: Framestore
Gábor Hoványi    ....     stereo technical director: Cinesite
Ritchie Hoyle    ....     roto animation
Shawn Hull    ....     previsualization supervisor: The Third Floor
Lina Hum    ....     texture artist: Cinesite
Antony Hunt    ....     executive producer: Cinesite
Matthew Hunt    ....     visual effects artist
János Hunyadi    ....     texture artist: MPC
Louise Hutchinson    ....     vfx coordinator: Cinesite
Andrew Hutton    ....     visual effects artist
Nile Hylton    ....     crowd technical director: MPC
Albena Ivanova    ....     stereo conversion artist
Francesc Izquierdo    ....     lead crowd technical director
Zafar Janjua    ....     visual effects coordinator
Kevin Jenkins    ....     art director: vfx
Celia Jepson    ....     senior lighting td: MPC
Chris Jestico    ....     vfx department manager: MPC
Reshma Jhangimal    ....     stereo production: Prime Focus World
Carolina Jiménez    ....     layout artist: MPC
Jimmy Johansson    ....     rigging td
Matt Johnson    ....     visual effects supervisor
Odigie Johnson    ....     animator: Cinesite
Ross Johnson    ....     visual effects coordinator
Oliver Johnstone    ....     visual effects artist
Marc Jones    ....     modeller: MPC
Owen Jones    ....     lighting artist
Owen Jones    ....     matchmove supervisor
Menard Jordane    ....     modeler and texture artist
Igor Jovanovic    ....     effects technical director: MPC
Dinesh K. Bishnoi    ....     matchmove artist: The Moving Picture Company
Ranajoy Kar    ....     lead roto/animation artist: MPC
Henrik Karlsson    ....     senior grooming td: MPC
Peter Kasim    ....     motion editor: The Moving Picture Company
Shraddha Kate    ....     digital artist
Shraddha Kate    ....     visual effects artist
Greg Keech    ....     pipeline td: Cinesite
Lucinda Keeler    ....     visual effects coordinator: Paramount
Ciarán Keenan    ....     stereoscopic coordinator: Prime Focus
James D. Kelly    ....     visual effects photographer: MPC
Kat Kelly    ....     stereoscopic conversion lead
Richard Ketteridge    ....     visual effects editor
Lino Khay    ....     matte painter: Cinesite
Diane Kingston    ....     stereo producer: Cinesite
Noah Klabunde    ....     lead lighting technical director
Jonathan Knight    ....     compositing supervisor: MPC
Lauren Knowlton-Parry    ....     visual effects production manager: MPC
Alec Knox    ....     senior lighting technical director: The Moving Picture Company
Eric A. Kohler    ....     visual effects producer: Hydraulx
Lev Kolobov    ....     lead visual effects compositor: The Moving Picture Company
Rohit Korgaonkar    ....     stereoscopic conversion compositor
Jakob Kousholt    ....     modeller: The Moving Picture Company
Alexander Kubinyi    ....     visual effects (as Alex Kubinyi)
Swapnil Kulkarni    ....     stereoscopic technical lead
Sujay Kumar G.    ....     matchmove artist: The Moving Picture Company
Amit George Kuruvilla    ....     effects technical director: Cinesite
Paul Ladd    ....     senior visual effects coordinator: Paramount
Ganesh Lamkhade    ....     matchmove artist
Delphine Laurent    ....     stereoscopic conversion compositor
Lorenzo Lavatelli    ....     senior effects technical director: MPC
Christopher Learmonth    ....     visual effects editor: Cinesite
Nicolas Leblanc    ....     modeler
David Lee    ....     compositing sequence lead: Cinesite
David Lee    ....     lead digital compositor
Paul Lee    ....     animator: Cinesite
Cedric Lefebvre    ....     animator: Cinesite
Benoit Legros    ....     digital compositor
Janek Lender    ....     layout artist
Julian Levi    ....     visual effects executive producer: MPC
Anu Liikkanen    ....     roto/paint lead
Amy Lloyd    ....     senior matchmove artist
Clementine Lo    ....     effects technical director: MPC
Keir Longden    ....     lighter: Cinesite
Andreas Loose    ....     lighting artist
Gabriel Lopez    ....     stereo compositor
Gabriel Lopez    ....     technical supervisor
Gregory Louden    ....     crowd technical director
Charlotte Loughnane    ....     VFX producer: MPC
Adam Lucas    ....     rigging artist: Cinesite
Alberto Luceño    ....     crowd td
Francesco Lupo    ....     modeler
Sophie Luto    ....     prep artist
Miguel Macaya    ....     digital compositor
Natalie MacDonald    ....     senior compositor: MPC
Marcelo Maes    ....     pipeline td: Cinesite
Suraj Makhija    ....     matchmove artist: The Moving Picture Company
Sameer Malik    ....     lead digital artist: MPC
Greg Malkin    ....     matchmover: cinesite
Finbar Mallon    ....     digital i/o: Cinesite
Emil Malm    ....     modeller: Cinesite
Laura Marcato    ....     digital i/o: Cinesite
Artur Margiv    ....     environment artist: cinesite
Edward Martin    ....     matchmover: Cinesite
Luc-Ewen Martin-Fenouillet    ....     lighter: Cinesite
Dan Mason    ....     modeller: Cinesite
Christopher Lucas Maw    ....     stereo compositor
David Mayhew    ....     lead hair and fur artist: MPC
Jon McCoy    ....     concept artist: Framestore
Adam McInnes    ....     on-set visual effects supervisor
Gavin McKenzie    ....     digital compositor
Clare McLaughlin    ....     visual effects production coordinator: MPC
Fiona McLean    ....     vfx production manager: MPC
Gus Melton    ....     view-d editor
Mariano Mendiburu    ....     animator: Cinesite
Abigail Mendoza    ....     visual effects coordinator
Ivor Middleton    ....     lighter: Cinesite
Quentin Miles    ....     animator: Cinesite
Danielle Millington-Peck    ....     visual effects editorial assistant
Simon Mills    ....     visual effects coordinator
Simon James Milner    ....     crowd td
Jambunatha Mn    ....     matchmove artist: The Moving Picture Company
Buhas Mohammedunny P.    ....     matchmove artist: The Moving Picture Company
Daniel Moore    ....     matchmove Artist: MPC
Louis Morgan    ....     digital i/o: Cinesite
Melissa D. Moss    ....     compositor
Jonathan Moulin    ....     lighting td: Cinesite
Thomas Mouraille    ....     lead environment artist
Chris Mulcaster    ....     modeller: Cinesite
Atyeb Muneer    ....     digital compositor
Paul Murphy    ....     modelling & texture artist: Cinesite
Patrick Muylkens    ....     concept artist: Framestore
Alexandre Ménard    ....     previs artist
Thomas Müller    ....     head of layout: Cinesite
Leo Neelands    ....     digital compositor
Ben Nelson    ....     previsualization artist
John Nelson    ....     senior visual effects supervisor
Paul Nelson    ....     texture artist
Gary Newman    ....     texture artist: Cinesite
Nicolette Newman    ....     texture artist: Cinesite
Antony Nguyen    ....     character artist
Antony Nguyen    ....     digital artist
Dillan Nicholls    ....     prep artist: MPC
Tristan Nieto    ....     stereoscopic artist
Papp Nikolett    ....     compositor: Cinesite
Jamie Niman    ....     lead technical animator: MPC
Stephen Nixon    ....     effects department manager
Gary Noble    ....     render td: Cinesite
Espen Nordahl    ....     lighting lead
Marion Nove-Josserand    ....     lighter: Cinesite
Barry O'Brien    ....     stereoscopic supervisor
Noel O'Malley    ....     matchmove artist: Cinesite
Akira Orikasa    ....     digital artist: ILM
Michelangelo Neri Orliani    ....     digital compositor
Daniele Orsetti    ....     texture artist: MPC
Nitheesh P.C.    ....     matchmove artist: The Moving Picture Company
Konstantinos Panagiotopoulos    ....     digital compositor: Cinesite
Gurpreet Singh Pannu    ....     matchmove artist: MPC
Puja Parikh    ....     matchmove supervisor: MPC
Jim Parsons    ....     digital compositor
Justin Peer    ....     on-set data wrangler
Cecile Peltier    ....     compositor: lead sequence, Cinesite
Aymeric Perceval    ....     digital compositor: Cinesite
Matt Perrin    ....     previs animator
Angelo Perrotta    ....     compositor: Cinesite
Richard Perry    ....     pre-visualisation artist
Chris Perschky    ....     technical support: Cinesite
Joep Peters    ....     texture artist: MPC
Kalle Peterson    ....     digital compositor
Dennis Petkov    ....     texture artist
Valentin Petrov    ....     digital matte painter: MPC
Daniel Pettipher    ....     production support: Cinesite
Huan Phan    ....     previsualization artist
Victor Pillet    ....     technical animator
Mark Pinheiro    ....     senior compositor
Jo Plaete    ....     senior crowd technical director
Ian Plumb    ....     compositor: Cinesite
Melvin Polayah    ....     layout artist
Carlos Poon    ....     texture artist: Cinesite
Tim Potter    ....     modeler: Cinesite
Tim Potter    ....     onset technical director: Cinesite
Rajasekar Prince    ....     senior matchmove artist: MPC
Anna Privett    ....     head of human resources: Cinesite
Alexandre Prod'homme    ....     roto/prep artist
Stefan Puschendorf    ....     stereographer: MPC
Chandraji Tharanga Rajakaruna    ....     stereoscopic compositor
Ambrish Rangan    ....     matchmove artist: MPC
Kim Ranzani    ....     compositor: Cinesite
Adrian Ratley    ....     main unit data wrangler
Clint G. Reagan    ....     previz artist
Tom Reed    ....     head of rigging
Ralph Reinle    ....     compositor: Cinesite
Kristian Rejek    ....     roto/prep artist: The Moving Picture Company
Jonathan Rhodes    ....     editorial assistant: View-d
Sullivan Richard    ....     matte painter: MPC
Benoit Rimet    ....     visual effects artist
Carrie Rishel    ....     vfx producer: Cinesite
Miso Ristov    ....     matchmove supervisor: FX3X
Gillian Roberts    ....     head of business development: Cinesite
Andy Robinson    ....     digital effects supervisor: Cinesite
Javier Roca    ....     digital compositor
Matt Rock    ....     production support
Natalie Rocks    ....     rotomation artist: cinesite
Antonio Rodríguez Díaz    ....     digital compositor
Justi Romero    ....     digital artist
Justi Romero    ....     modeler: MPC
Michelle Rose    ....     senior stereo coordinator: Cinesite
Stephanie Ross    ....     production support: MPC
Justin R. Rotolo    ....     crowd td: Cinesite
Jean-Paul Rovela    ....     lighter: Cinesite
Sandeep Roy    ....     matchmove artist
Rosi Ruiz    ....     stereoscopic conversion lead
Olle Rydberg    ....     texture artist: MPC
Miguel Santana    ....     roto/prep artist: MPC
B.S. Rajkumar Sapate    ....     matchmove artist: The Moving Picture Company
Nick Sargent    ....     technical animator
Tarkan Sarim    ....     grooming technical director: MPC/Cinesite
Alexander Savenko    ....     pipeline developer: Cinesite
Jeremy Sawyer    ....     lead compositor: MPC
Robin Saxen    ....     visual effects producer
Robert Schajer    ....     visual effects producer: Cinesite
Jamie Schumacher    ....     digital compositor
Tom Schwarz    ....     rendering/shading technical director
Rebecca Scott    ....     visual effects coordinator
Jacopo Sebastiani    ....     layout artist: Cinesite
Klaus Seitschek    ....     effects td: Cinesite
Todd Semmes    ....     spydercam coordinator/rigging
David Sewell    ....     compositing supervisor: Cinesite
Ira Shain    ....     previs animator
Swati Shamsundar Malu    ....     matchmove artist: The Moving Picture Company
Aurora Shannon    ....     digital intermediate assistant
Madhu Sharan    ....     matchmove artist: MPC
Rahul Sharma    ....     digital artist: MPC
Asa Shoul    ....     digital intermediate consultant
Ben Shupe    ....     previsual animator
Bruno Simões    ....     previs artist: MPC
John Sissen    ....     animator: Cinesite
Klaus Skovbo    ....     3d modeler
Klaus Skovbo    ....     texture artist: Cinesite
Klaus Skovbo    ....     visual effects artist
Dawid Skrodzki    ....     lighting technical director
Alex Smith    ....     compositor: Cinesite
Danny Smith    ....     technical support: Cinesite
Jeff W. Smith    ....     senior matchmove artist
Tefft Smith    ....     pre-visualization artist
Jean-David Solon    ....     matte painter: Cinesite
Arvind Sond    ....     visual effects artist
Roy Soumyadipta    ....     rotomation artist
Liam Spencer    ....     compositor
James Alex Spiteri    ....     on-set data wrangler
Simon Stanley-Clamp    ....     visual effects supervisor: Cinesite
Kasy Stein    ....     paint/prep artist: mpc
Mark Stepanek    ....     lighter: Cinesite
Andy Stevens    ....     visual effects editor: cinesite
Jamie R. Stewart    ....     lead lighter: cinesite
James Stone    ....     modeller: Cinesite
Sheldon Stopsack    ....     lighting supervisor: MPC
Mark Sum    ....     visual effects coordinator: Cinesite
David Swift    ....     matte painter: Cinesite
Albert Szostkiewicz    ....     effects td: Cinesite
András Szõcs    ....     stereo conversion artist: Cinesite
Monica Taddei    ....     cg modeller: Cinesite
Marc Taganas    ....     lead roto/prep artist: MPC
Dann Tarmy    ....     lighting technical director: MPC
Ari Teger    ....     postvis artist: Halon
Sawan Thakrar    ....     matchmove artist: MPC
Joseph Thomas M.    ....     matchmove artist: The Moving Picture Company
Martin J. Thomas    ....     zombie referencing: Framestore
Nick Thompson    ....     stereoscopic vfx coordinator
Varshitha Thota    ....     roto artist: mpc
Dan Tiller    ....     digital i/o: Cinesite
Ashley Tilley    ....     lead modeler
Helder Tomas    ....     matchmove artist
Alan Tormey    ....     stereoscopic compositor
James Tottman    ....     visual effects: technical director. MPC
Iyi Tubi    ....     stereo prep artist
Corey Turner    ....     executive stereographer
Ruairi Twohig    ....     roto/paint artist
Audrius Urbonavicius    ....     digital matte painter: MPC
Pan Vafeiadis    ....     stereoscopic compositor: Cinesite
Arturs Vaitilavics    ....     lead stereoscopic compositor
Adam Valdez    ....     visual effects supervisor
Jelle Van de Weghe    ....     texture artist
Courtney Vanderslice    ....     executive producer: Cinesite
Adam Vanner    ....     cloth technical director: Cinesite
Mohit Varde    ....     stereo compositor: Prime Focus
Ville-Matti Vasama    ....     effects technical director: MPC
Vasantharajan.g.d    ....     matchmove artist: MPC
Monica Verdu    ....     digital compositor
Paul Vorsman    ....     senior compositor
Andreas Vrhovsek    ....     visual effects artist: MPC
Sagar Wakankar    ....     paint/prep artist: mpc
Adam Walker    ....     lead texture artist: cinesite
Karen Wand    ....     compositor: Cinesite
Chuan Wang    ....     compositor: Cinesite
Chuan Wang    ....     digital compositor
Daniel Warom    ....     senior crowd technical director
Richard Wearmouth    ....     motion capture animator: motion editor
Ollie Weigall    ....     compositor: Cinesite
Glenn Wells    ....     matchmove artist
Daniel Wennerholm    ....     lead stereoscopic conversion artist
Kevin Wheatley    ....     head of colour management: Cinesite
Ruth Wiegand    ....     rigging artist: MPC
Lisa Wild    ....     lead crowd td: Cinesite
Alex Wilkie    ....     pipeline developer: Cinesite
Stephen Willey    ....     head of systems and engineering
Chris 'Willie' Williams    ....     previsualization artist
Rich Wills    ....     on set 3D surveyor: 4DMax
Oliver Winwood    ....     lead effects technical director: MPC
Max Wood    ....     cg supervisor
Rory Woodford    ....     digital modeler: MPC
James Worlidge    ....     visual effects production assistant: MPC
Bruno Xiberras    ....     senior motion editor
Shyam V. Yadav    ....     visual effects documentarian
Steve Yamamoto    ....     previsualization supervisor
Aviv Yaron    ....     visual effects photography: Cinesite
Travis Yee    ....     previs/postvis artist
Alessandro Zanforlin    ....     digital compositor
Paolo Joel Ziemba    ....     previs artist: Halon
Jerry Zigounakis    ....     previs artist
Anthony Zwartouw    ....     cg supervisor: Cinesite
Adam Arnot Drummond    ....     roto artist (uncredited)
Keith Barton    ....     technical support: Cinesite (uncredited)
Patrick Clancey    ....     international titles (uncredited)
David Schneider    ....     software developer (uncredited)
Gianfranco Sgura    ....     compositing r&d (uncredited)
V. Gouri Shankar Rao    ....     stereo prep supervisor (uncredited)
Phil Smith    ....     stereo conversion artist: Cinesite (uncredited)

Stunts
Guiomar Alonso    ....     stunt performer
Boyan Anev    ....     stunts
Nina Armstrong    ....     stunts
Scott Armstrong    ....     utility stunts
Pavel Bousek    ....     stunts
Richard Bradshaw    ....     stunts
Chloé Bruce    ....     stunt performer
Chloé Bruce    ....     stunts
Grace Bruce    ....     stunt double: Abigail Hargrove
Nellie Burroughes    ....     stunt performer
Steve Caswell    ....     stunt performer
Nicole Chapman    ....     stunt department coordinator
Tony Christian    ....     stunt performer
Stuart Clark    ....     stunt performer
Jared Cohen    ....     stunt performer
Siobhan Coughlin    ....     stunt double: Mireille Enos
James Cox    ....     stunt performer
Simon Crane    ....     stunt coordinator
Erika Cziráky    ....     stunts
Nicholas Daines    ....     stunt performer
Aldonio Danny Freitas    ....     stunt performer
Ivailo Dimitrov    ....     stunt performer
Samir Durrani    ....     stunts
Wade Eastwood    ....     stunt coordinator
Rick English    ....     stunt double: Brad Pitt
Bradley Farmer    ....     stunt performer
Elaine Ford    ....     stunt performer
Amanda Foster    ....     stunts
Corbin Fox    ....     utility stunts
Kinga Gavalda    ....     stunts
Christopher Gordon    ....     assistant stunt coordinator
Christopher Gordon    ....     stunt double: James Badge Dale
Christopher Gordon    ....     utility stunts
Oliver Gough    ....     stunt performer
Zahari Grozdanov    ....     stunt performer
Paul Hampshire    ....     stunt performer
Richard Hansen    ....     stunts
Adrian Hein    ....     stunt performer
Dan Hirst    ....     stunt performer
Zoltan Hodi    ....     stunts
Jan Holicek    ....     stunt performer
Adam Horton    ....     stunt performer
Jorge Huergo    ....     stunts
Jason Hunjan    ....     stunt performer
Borislav Iliev    ....     stunts
Rob Inch    ....     stunt coordinator: additional photography
Lee Edward Jones    ....     stunt double: Fabrizio Zacharee Guido
Sid Karne    ....     stunts
Adam Kirley    ....     stunt performer
Jindrich Klaus    ....     stunt performer
Cristian Knight    ....     stunt performer
Miroslav Lhotka    ....     stunt performer
Michael Li    ....     stunt performer
Sarah Lochlan    ....     stunt performer
Jan Loukota    ....     stunts
Paul Lowe    ....     stunts
Boris Martinez    ....     stunt performer
Stilyan Mavrov    ....     stunt performer
Adrian McGaw    ....     stunt performer
Belinda McGinley    ....     stunts
Andy Merchant    ....     stunt performer
Casey Michaels    ....     stunt performer
Trayan Milenov-Troy    ....     stunt performer
Lee Millham    ....     stunt performer
Lubomir Misak    ....     stunt performer
Rory Mulroe    ....     stunt performer
David Newton    ....     stunt performer
Jason Oettle    ....     key stunt rigger: additional photography
Béla Orsányi    ....     stunt performer
Domonkos Pardanyi    ....     stunt double: Brad Pitt
Sam Parham    ....     stunt performer
Radoslav Parvanov    ....     stunt performer
Gábor Pesta    ....     stunts
Christian Petersson    ....     stunt performer
Rumen Petrov    ....     stunt performer
Andy Pilgrim    ....     stunt performer
Gabor Piroch    ....     stunt performer
Tilly Powell    ....     stunt performer
Cedric Proust    ....     stunt performer
Ben Rackley    ....     stunt department coordinator
Elitsa Razheva    ....     stunt performer
Florian Robin    ....     stunt performer
Tom Rodgers    ....     stunt performer
Nikovich Sammut    ....     stunt performer
Stanislav Satko    ....     stunt performer
Arti Shah    ....     stunt double: Sterling Jerins
Marcus Shakesheff    ....     stunt performer
Matt Sherren    ....     stunt performer
Stefan Shopov    ....     stunt performer
Mark Slaughter    ....     stunt performer
Curtis Rowland Small    ....     stunt performer
Wolfgang Stegemann    ....     stunt performer
Shane Steyn    ....     stunt performer
Leo Stransky    ....     stunt performer
Steve Szigeti    ....     stunts
Ildikó Szücs    ....     stunt performer
Mens-Sana Tamakloe    ....     stunt performer
Levente Tamási    ....     stunt performer
Rocky Taylor    ....     stunt performer
Roy Taylor    ....     stunt performer
Arran Topham    ....     stunt performer
Susana Torres    ....     stunt department coordinator
Mustapha Touki    ....     stunts
Gyula Tóth    ....     stunt performer
László Ujvári    ....     stunt performer
Cuco Usín    ....     stunt performer
Ian van Temperley    ....     stunt performer
Kaloian Vodenicharov    ....     stunt performer
Vincent Wang    ....     stunt performer
Andy Wareham    ....     stunt performer
Calvin Warrington-Heasman    ....     stunt performer
Reg Wayment    ....     stunt performer
Simon Whyman    ....     stunts
Martin Wilde    ....     stunt performer
William Willoughby    ....     stunt performer
Leo Woodruff    ....     stunt performer
Liang Yang    ....     stunt performer
Steen Young    ....     stunt performer

Camera and Electrical Department
Jonathan Ames    ....     video assistant: second unit
Natasha Back    ....     second assistant camera: "b" camera
Chas Bain    ....     camera operator
Jaspreet Bal    ....     first assistant camera
Greg Baldi    ....     camera operator: second unit
Andrew Banwell    ....     focus puller: second unit
Paul Bates    ....     electrician
Tim Battersby    ....     first assistant camera: "b" camera
Alex Bender    ....     camera trainee: second unit
Attila Bilik    ....     rigging gaffer: Hungary
David Bird    ....     second assistant camera: "b" camera, additional photography
Balazs Bolygo    ....     director of photography: second unit
Peter Brimson    ....     electrician: second unit
Jaap Buitendijk    ....     still photographer
Zoltán Bók    ....     electrician: Hungary
Wailoon Chung    ....     electrician: second unit
Rachel Clark    ....     second assistant camera: "a" camera
Ricky Collins    ....     lighting grip
Sean Connor    ....     assistant camera
Roberto W. Contreras D.    ....     camera operator
Johann Cruickshank    ....     derigging electrician
Simon Cullen    ....     electrical rigger
Erin Currie    ....     additional video assist: second unit
Márk Czirják    ....     rigging best boy: Hungary
Adam Dale    ....     aerial director of photography
Howard Davidson    ....     best boy lighting grip
Glenn Derry    ....     digital workflow engineer
Birgit Dierken    ....     assistant camera
Laura Dinnett    ....     video assist trainee: second unit
Graham Driscoll    ....     desk operator
Oliver Driscoll    ....     first assistant camera: second unit
Brian Dungan    ....     best boy camera
Emma Edwards    ....     second assistant camera: "c" camera, Malta
James Eggleton    ....     digital lab supervisor: Digilab Services
Marc Ehrenbold    ....     Steadicam operator: night sequences
Jason Ellson    ....     camera operator: "b" camera, second unit
Jason Ellson    ....     steadicam operator: second unit
Charlie Euston    ....     electrician
Péter Faludi    ....     camera trainee: "a" camera, Hungary
Alejandra Fernandez    ....     camera trainee: "a" camera
Avelino Fernandez    ....     gaffer: second unit
Peter Field    ....     camera operator: "a" camera, second unit
Jack Flemming    ....     grip
Ben Foat    ....     second assistant camera: "c" camera, additional photography
Claire Louise Fraser    ....     camera trainee: second unit, Glasgow
Kevin Fraser    ....     key grip: second unit
Phoebe Fraser    ....     second assistant camera: second unit dailies
Dave Freeth    ....     libra technician
Gabor Gelegonya    ....     rigger: Hungary
Alex Golding    ....     digital imaging technician
Luke Andrew Haddock    ....     video assistant
Gergely Hajba    ....     second assistant camera: "c" camera, Hungary
Will Handley    ....     microwave technician
John Harper    ....     first assistant camera: second unit
John Harper    ....     focus puller: second camera
Laura Jean Healey    ....     Codex technician: second unit
Attila Hevesi    ....     rigging electrician: Hungary
Gabriel Hyman    ....     second assistant camera: "a" camera, second unit, additional photography
Ian Jackson    ....     camera trainee: second unit
Adam Kalacsi    ....     rigging
János Kiss    ....     key grip best boy: Hungary
Steve Kitchen    ....     best boy office
Dora Krolikowska    ....     second assistant camera: "c" camera, dailies
Alex Kruszelnicki    ....     video playback assistant
Cary Lalonde    ....     first assistant camera
Mary Lobb    ....     digital imaging technician: additional photography, second unit
Amanda Maister    ....     camera best boy: Malta
Peter Marsden    ....     digital imaging technician: second unit
Stephanie Martin    ....     camera operator: "c" camera
John Marzano    ....     aerial director of photography
Hugh McCallum    ....     best boy lighting grip: Malta
Larry McConkey    ....     steadicam operator
Grant McPhee    ....     second assistant camera: Glasgow
Ray Meere    ....     second assistant camera: "a" camera, additional photography
Igor Meglic    ....     director of photography: second unit
Rory Moles    ....     first assistant camera: dailies
Philip Murphy    ....     dolly grip: "a" camera
Nino Neuboeck    ....     first assistant camera: Hungary
Andrew Nolan    ....     electrician
Megan Ogilvie    ....     second assistant camera: "c" camera
Ben Oliver    ....     second assistant camera: second unit
James Osborn-Brown    ....     electrician
David Palmieri    ....     lighting grip
Andrew Peck    ....     first assistant camera: New York helicopter unit
Steve Petrie    ....     video assistant
Attila Pfeffer    ....     camera operator: "c" camera, battle segments: Hungary
Felix Pickles    ....     camera best boy: Budapest
Nathan Porter    ....     lighting grip: dailies
Jack Powell    ....     electrician
Viktor Racsek    ....     dimmer board operator: Hungary
Laura Redpath    ....     digital imaging technician
Michael Rich    ....     grip
Tony Roberts    ....     electrical rigger
Maiya Rose    ....     camera trainee: "b" camera
Sol Saihati    ....     lighting grip
Zoltán Schrammel    ....     techno crane technician: Hungary
Luke Selway    ....     second assistant camera: "a" camera, second unit
Paul Sharp    ....     best boy
Stuart Sheppard    ....     electrician
Newton Thomas Sigel    ....     additional director of photography
Szabolcs Sitkei    ....     camera trainee: Hungary
Dan Smith    ....     electrician
Tom Stansfield    ....     grip trainee
Joe Steel    ....     digital imaging technician: aerial unit
János Steili    ....     rigging electrician: Hungary
Robert Stoneman    ....     camera operator: EPK
Gergely Sztellik    ....     rigger: Hungary
Gabor Szucs    ....     grip: Hungary
Gregor Tavenner    ....     first assistant camera: "a" camera
Matthew Taylor    ....     camera trainee: "c" camera, Malta
Alex Teale    ....     central loader: additional photography
Dean Thompson    ....     first assistant camera: second unit
Andy Thomson    ....     flight head technician
Neil Tomlin    ....     crane technician dailies
Toby Tyler Jr.    ....     electrical grip
István Török    ....     best boy grip: Hungary
Daniel Vilar    ....     aerial unit camera
Robert Walisko    ....     pursuit crane operator
Gavin Walters    ....     key rigging gaffer
Lee Walters    ....     gaffer
Martin Ward    ....     video operator: second unit
Thomas Watson    ....     libra head technician
Glyn Williams    ....     first assistant camera: aerial unit (as J. Glyn Williams)
Marc Wolff    ....     camera pilot
Andy Woodcock    ....     grip: "b" camera

Animation Department
Nicola Atkinson    ....     layout artist: MPC
Dan Blacker    ....     animator
David Crispino    ....     senior animator: MPC
Alex Hislop    ....     animator
Daniel Kmet    ....     animator
Ted Lister    ....     animator
Gary Mau    ....     animator: main title sequence
Ricardo Silva    ....     animator
Chris Singer    ....     roto/animation artist: MPC
Richard Spriggs    ....     animator
Elliot Staker    ....     animator

Casting Department
Vanessa Baker    ....     adr voice casting
Rori Bergman    ....     casting associate: New york
Radick Cembrzynski    ....     casting assistant
Kathleen Chopin    ....     casting: New York
Zsolt Csutak    ....     casting hungary
Clare Harlow    ....     casting assistant
Barbara Harris    ....     adr voice casting
Tamás Kertész    ....     extras casting
Kate McLaughlin    ....     extras casting: additional
Lucy Rands    ....     casting assistant
Jamie Schulman    ....     casting associate: New york
Cathleen Tanti    ....     extras casting coordinator
Anthony Vlastas    ....     casting associate
Chuck Douglas    ....     extras casting assistant (uncredited)

Costume and Wardrobe Department
Sheara Abrahams    ....     assistant costume designer: additional photography
Louise Allen    ....     location costume supervisor
Brigitta Barkó    ....     key costumer: Hungary
Russell Barnett    ....     costume supervisor: second unit
Camilla Bartholomew    ....     assistant costume breakdown artist
Fiona Barty    ....     costume props modeler
Karen Beale    ....     chief stunt costumer
Dan Blacklock    ....     costume assistant
Frieda Basso Boccabella    ....     costume junior
Lörinc Boros    ....     breakdown artist: Hungary
Matt Boyton    ....     costume props modeler
Ali Bremner    ....     costume assistant
Anthony Brookman    ....     wardrobe master
Rob Brown    ....     military costume supervisor
Sophie Canale    ....     costume buyer
Yvonne Zarb Cousin    ....     wardrobe supervisor
Maria Adele Crisafulli    ....     costume buyer
Naomi Critcher    ....     key costume props
Holly Dobson    ....     costume prop maker
Lucy Donowho    ....     key costumer
Erdész Dániel    ....     breakdown artist: Hungary
Harriet Edmonds    ....     costume assistant: stunt unit. Scotland
Caroline Fallon    ....     costume office assistant
Joseph Feltus    ....     assistant to costume designer
Teddy George-Poku    ....     costume assistant
Mia Gray    ....     costume junior
Vicki Hales    ....     costume assistant: second unit
Maxine Heywood    ....     costume buyer
Alicia Hood    ....     principal costume standby
Liz Krause    ....     junior assistant costume designer
Charlotte Law    ....     assistant costume designer
Jane Law    ....     costumes for Brad Pitt
Rachel Lilley    ....     assistant costume buyer
Martin Mandeville    ....     costume coordinator
Tracy McGregor    ....     costume assistant
Jackie Moody    ....     costume breakdown artist
Nino    ....     costumer
Linda O'Reilly    ....     set costumer
Steve O'Sullivan    ....     costume assistant
David Otzen    ....     costumer: Mr. Pitt
Pamela Paolini    ....     assistant costume breakdown artist
Silvia Pelleschi    ....     assistant costume breakdown artist
Kirsty Quinn    ....     costume trainee
Sarah Rose    ....     costume prop maker
Richard Sale    ....     assistant costume designer
Orsolya Sallai    ....     costumer
Sunita Singh    ....     principal costume coordinator
Azalia Snail    ....     costume supervisor: VFX segments
Clare Spragge    ....     costume supervisor
Greg Staples    ....     costume concept artist
Jaclyn Tamizato    ....     costume assistant: second unit
Maurizio Torti    ....     set supervisor
Sekou Traore    ....     costume junior
Sarolta Udvardi    ....     pa to costume designer: Hungary
Lupt Utama    ....     junior assistant costume designer
Nat Van Halle    ....     military costumer
Pamela Verran    ....     costumer
Elle Wilson    ....     costume trainee
Vanessa Woolgar    ....     wardrobe mistress
John Cowell    ....     chief costume breakdown artist (uncredited)
Karen Hare    ....     additional costumer (uncredited)

Editorial Department
George Adams    ....     assistant editor
James Andrykowski    ....     first assistant editor
Tom Balkwill    ....     assistant dailies colorist
Trevor Brown    ....     digital intermediate colorist
Stephen Ceci    ....     digital lab manager
Dhirendra Chhatpar    ....     stereoscopic editor
Martin Corbett    ....     first assistant editor
Rob Farris    ....     digital intermediate producer
Robin Gonsalves    ....     first assistant editor
Cheryl Goodbody    ....     assistant digital intermediate producer
Rick Gould    ....     apprentice editor
Greg Hollander    ....     apprentice editor
Vinka Jurisic    ....     editorial assistant
Pentti Keskimäki    ....     colorist: dailies
Carsten Kurpanek    ....     assistant editor
Hannah Long    ....     editorial assistant
Patrick Malone    ....     digital intermediate head of department
Rob May    ....     digital lab technician
Emma McCleave    ....     assistant editor
Noemi Mehrli    ....     post-production assistant
Andrew Merlino    ....     on-line editor
Sachin Patidar    ....     stereo editor
Jamie Payne    ....     colorist: dailies
Bryony Preen    ....     edit assistant
Bryony Preen    ....     post-production assistant
Robert Sealey    ....     editorial trainee
Girish Takle    ....     stereoscopic editor
Debra L. Tennant    ....     assistant editor
Justin Tillett    ....     digital on-line editor
Anthony Motta    ....     dailies operator (uncredited)

Music Department
Michael K. Bauer    ....     music editor: temp score
Richard Bronskill    ....     orchestrator
Matt Dunkley    ....     conductor
Matt Dunkley    ....     orchestrator
John Finklea    ....     music editor
Dave Foster    ....     additional orchestrations
Dave Hage    ....     music preparation
John Kurlander    ....     music recording engineer
John Kurlander    ....     score mixer
Kevin McKeever    ....     music editor
Scott Michael Smith    ....     additional recording by
Jordan Seigel    ....     music preparation (uncredited)

Transportation Department
Csaba Bagossy    ....     assistant action vehicle coordinator
István Bognár    ....     production driver
Steve Bridgen    ....     transportation coordinator
Steven Brigden    ....     transport manager
Steven Brigden    ....     transportation coordinator
Michael Brinkley    ....     action vehicles assistant co-ordinator
Jimmy Carruthers    ....     transportation captain: second unit
Piotr Chrzanowski    ....     facilities maintenance
Ian Clarke    ....     picture vehicle floor supervisor
Steve Clarke    ....     unit driver: minibus
Mark Cutler    ....     unit driver: minibus
Mickey Davie    ....     picture vehicle senior technician
Steven Day    ....     transportation captain
Hendrik De Jonker    ....     truck supervisor
Mark Dilliway    ....     transportation
Henry Dray    ....     supervising transport manager
Russell D. Equi    ....     driver
Russell D. Equi    ....     transportation
Simon Essery    ....     driver
Kevin Fisher    ....     picture vehicle senior technician
Charlotte Graham    ....     driver
Peter Herst    ....     driver: director
Simon Jones    ....     driver to Brad Pitt
Emma Kayee    ....     assistant transportation coordinator
Graham Kelly    ....     action vehicle supervisor
Rob MacKnight    ....     driver: unit minibus
Graeme Main    ....     camera car driver
Ross Murdoch    ....     transport manager
Zsofia Nagy    ....     transport secretary: Hungary
David Nemar    ....     driver
Pete Newman    ....     production driver
Cyril O'Neil    ....     picture car consultant
Kalli-Lee Pasqualucci    ....     transportation assistant
Laszlo Polyak    ....     driver: production van
Kyle 'Buster' Reed    ....     driver: action vehicles
Jessica Rogers    ....     transportation coordinator
Ian Smith    ....     action vehicle mechanic
Lol Smith    ....     transportation manager: UK
Darren Thackeray    ....     unit driver
Sean Thornton    ....     picture vehicle senior technician
Martin Walsh    ....     facilities driver

Other crew
Keith Abela    ....     production assistant: aerial unit
Pierre Agius    ....     location manager
Hussain Ahmed    ....     production assistant
Amy Altvater    ....     production assistant
Sarah Michelle Attard    ....     set production assistant
Sarah Michelle Attard    ....     talent assistant
Sándor Balla    ....     location scout: Hungary
Stephanie Bamberg    ....     travel coordinator
Katalin Baranyi    ....     zombie coordinator
Tom Barnes    ....     location assistant
Kevin Baulcomb    ....     assistant production coordinator: additional photography
Reyhan Bekar    ....     production assistant
Roland Birtha    ....     unit assistant
Ellie Blake    ....     location assistant
Agi Blasko    ....     production secretary: Hungary
Kate Bone    ....     assistant production coordinator: Scotland
Cesco Bonello    ....     location assistant
Chris Bonello    ....     assistant location manager
Dave Booys    ....     production assistant
Valentina Borfecchia    ....     production assistant
Bill Bost    ....     assistant: Mr. Ellison
Sean Bredbenner    ....     production assistant
John Bremner    ....     crowd marshall
Andrew Michael Buckley    ....     assistant location manager
Andrew Michael Buckley    ....     military adviser
Billy Budd    ....     military advisor: second unit
Carn Burton    ....     location manager
Grant Butler    ....     runner: dailies
Ferenc Béres    ....     location manager: Hungary
David Campbell-Bell    ....     unit location manager
Bruno Cassoni    ....     assistant location manager
Laura Caulfield    ....     production paralegal
Emily Cecil    ....     marine department
Ella Chaitow    ....     assistant travel coordinator
Usha Chaman    ....     accommodation coordinator: London
Morgan Chetcuti    ....     military extras coordinator
Paula Chidgey    ....     accounts trainee
Joel Clarke    ....     assistant production coordinator: falmouth
Matthew Clarke    ....     assistant location manager
Tom Cochrane    ....     marine coordinator
Rebecca Collis    ....     production assistant
Tommaso Colognese    ....     production assistant
Leon Corbin    ....     make up assistant
Celine Coulson    ....     set production assistant
Eleri Coulten    ....     location scout
Ian Creed    ....     marine coordinator
András Csernóczki    ....     production assistant: Hungary
Patrick Cullen    ....     military trainer
Richard Daldry    ....     production coordinator
Christian De-vos    ....     head of security
Christian De-vos    ....     head of security: Above the Line Set Assistance & Security Ltd
Raimondo Di Egidio    ....     production assistant
Allison Dillard    ....     production safety manager
Farnaz Donovan    ....     first assistant accountant
Lucy Drury    ....     base runner
Lloret Dunn    ....     location manager
Lloret Dunn    ....     location manager: Scotland
Judith Edwards    ....     unit nurse
Aidan Elliott    ....     assistant: Mark Huffam
Malcolm Ellul    ....     production assistant
Richard Enriquez    ....     assistant to producer
Janette Evans    ....     first assistant accountant
Freddie Joe Farnsworth    ....     senior military technical advisor
Judit Fekete    ....     production assistant: Hungary
Alastair Ferris-Leak    ....     production operations
Rudi Fischer    ....     location manager: Philadelphia VFX unit
Matt Flanders    ....     assistant to producers
Luke Oscar Ford    ....     stand-in/double
Joseph Formosa Randon    ....     location manager
Lucia Foster Found    ....     air operations coordinator
Kevin Fowler    ....     stage hand
Samuel V. Franco    ....     development executive
Péter Fülöp    ....     assistant location manager: Hungary
Gábor Gajdos    ....     armorer: Hungary
Francesca Galea    ....     cast production assistant
Rita Galea    ....     production coordinator: malta
Rita Galántai    ....     production coordinator: Hungary
Jackie Gilbey    ....     ap supervisor
Kerry Gissing    ....     facilities assistant
Ben Gladstone    ....     location manager
Maryllis Gonzalez    ....     payroll accountant
Peter Gray    ....     assistant location manager
Peter Gray    ....     location scout
Daniel D. Gregoire    ....     previsualization director
Matt Grimm    ....     assistant: Ms. Goldgerg
Emma Gunnery    ....     set production assistant: additional photography
Denise Hanrahan    ....     production coordinator: Glasgow
Clair Hanson    ....     assistant accountant
Michael Harm    ....     location manager
Deborah Harpur    ....     production resources
Rob Harris    ....     unit publicist
Benjamin Hartley    ....     military aviation advisor
Steve Harvey    ....     location manager
Charlie Hayes    ....     assistant location manager
Esther Hegarty    ....     travel assistant
Glynn Henderson    ....     safety consultant, Budapest
Richard Hill    ....     location manager: reshoots
Sarah Hinch    ....     script supervisor
Andrew Hippisley    ....     daily floor runner
Cat Ho    ....     location coordinator
Tony Hood    ....     location scout
Jason Horwood    ....     stand-in
Reese Howard    ....     crowd production assistant
Adrian Hubbard    ....     location scout
Gary Huddless    ....     set production assistant
Ian Hutchinson    ....     location scout
Hannah Ireland    ....     travel coordinator: additional photography
Alexis James    ....     accomodation agent
Vera Janisch    ....     set production assistant
Vinnie Jassal    ....     location scout
Vinnie Jassal    ....     unit location manager
Michael B. Johnson    ....     production accountant
Richard J.R. Jones    ....     additional crowd production assistant (as Richard Jones Jr.)
Samual Jones    ....     crowd production assistant
Samual Jones    ....     production assistant
Nick Jordan    ....     senior travel coordinator
Petra Jorgensen    ....     script supervisor: Los Angeles - additional photography
Adrienn Kamarás    ....     assistant production coordinator: Hungary
Veronika Kara    ....     cashier: Hungary
David Keadell    ....     crowd production assistant
Leon Keegan    ....     security
Miklos Keleti    ....     set production assistant: Hungary
Claire L. Kenny    ....     assistant accountant: construction & hair/make up - additional photography
Ali Keshavji    ....     assistant to production manager
Nick Komornicki    ....     supervising armorer
Ferenc Kondor    ....     security coordinator: Hungary
András Kopházi    ....     chief security coordinator: Hungary
Balint Kovacs    ....     location manager: Hungary
Bence Kovacs    ....     assistant location manager
Ágnes Kun    ....     production accountant: Hungary
Barry Laird    ....     locations assistant: Scotland
Charles Larcombe    ....     assistant construction accountant
Cameron Lawther    ....     assistant (mr. pitt )
Cameron Lawther    ....     assistant to Mr. Pitt
Eric Layne    ....     production controller
Paul LaZebnik    ....     additional production coordinator
Duncan Leishman    ....     location runner: UK
Heidi Lewis    ....     first assistant accountant
Sarah Kate Lewis    ....     location office runner
Philip Lobban    ....     location scout
Jason Lopes    ....     lead systems engineer legacy effects
Peter Lowe    ....     chef
Laurie Mahon    ....     production assistant
Ruben Malaret    ....     head publicist
Nicoletta Mani    ....     assistant script supervisor: dailies
Alan Manson    ....     location runner: uk
Lara Marsden    ....     floor runner
Brad Dirk Martin    ....     boat captain
Natalie Masciale    ....     assistant: Mr. Schwake
Barry May-Leybourne    ....     health & safety officer
Nicki McCain    ....     location accountant
Jason A. McCauley    ....     location manager: NYC & NJ VFX Unit
Dave McComb    ....     production accountant
Michael McDermott    ....     location assistant
Denise Morgan McGrath    ....     production controller
Jacob McIntyre    ....     location manager: malta
Ashley McKee    ....     runner
Anna Cameron McKessock    ....     cast associate
Kristi McLaren    ....     second assistant accountant
Christian McWilliams    ....     location manager
Ágoston Félegyházy Megyesy    ....     location manager assistant (as Ágoston F. Megyesy)
Ágoston Félegyházy Megyesy    ....     location manager: Hungary (as Ágoston F. Megyesy)
David Micallef    ....     crowd marshall
Tom Milligan    ....     crowd production assistant: dailies
Matt Mirrington    ....     location assistant
Zsolt Molnar    ....     assistant location manager
Zoe Morgan    ....     script supervisor
Andy Piers Morris    ....     marine safety coordinator
Steve Mortimore    ....     supervising location manager
Rita Mányai    ....     first assistant accountant: Hungary
Philie Naughten    ....     production coordinator
Philie Naughten    ....     production coordinator: Malta
Beáta Neszmélyi    ....     production assistant
John Nixon    ....     senior armoury technician
Declan O'Brien    ....     assistant production co-ordinator
David O'Reilly    ....     location scout
Denis O'Sullivan    ....     production executive
Misty Oka    ....     assistant to Jeremy Kleiner
Zoltan Palfalvi    ....     location assistant: Hungary
János Papp    ....     health & safety advisor: Hungary
Kerry Patten    ....     location assistant
Paul Pattison    ....     production runner
Philip Pickford    ....     aerial safety
Philip Pickford    ....     aerial unit
Joshua Ravetch    ....     production resources
Andy Reeve    ....     location scout: uk
James J. Reid    ....     crowd production assistant (as James Reid)
Helen Revington    ....     unit nurse
Alex Reynolds    ....     choreographer
Tom Reynolds    ....     second unit set PA
Victoria Rickham    ....     payroll accountant
Jason Rickwood    ....     production assistant
Regan Riskas    ....     assistant to producer
Lee Robertson    ....     location manager: Hungary
Alice Rowlinson    ....     creatures production assistant
David Ruddock    ....     assistant accountant
Andrew Ryland    ....     location scout
Will Samuelson    ....     helicopter camera pilot
Paula Sargeant    ....     payroll accountant
Joe Sartorius    ....     production assistant
Jennifer Scudder Trent    ....     post production coordinator
Helen Searle    ....     ap assistant accountant
Hakim Shakoor    ....     caterer/cook
Andrew Share    ....     craft service
Asha Sharma    ....     unit location manager
Mark Somner    ....     supervising location manager
Nora Somogyvari    ....     location assistant: Hungary
Andy Stephens    ....     aerial operations manager
Skye Stolnitz    ....     assistant to Mark Bakshi
Roy Stratford    ....     workshop armourer
Domonkos Szász    ....     location manager: Hungary
Veronika Szücs    ....     production assistant: Hungary
Celeste Talaszek    ....     production accountant
Ewan Taylor    ....     APATS trainee
Ewan Taylor    ....     payroll accountant
Helen Taylor    ....     travel assistant
Kelly Taylor-Dias    ....     assistant production coordinator
Katharine Tidy    ....     home economist
Monty Till    ....     location assistant
Susana Torres    ....     assistant: Mr. Crane
Sara-Jane Valentine    ....     computer & video coordinator: Useful Companies
Csaba Veres    ....     payroll accountant: Hungary
Caspar von Winterfeldt    ....     production financing: Hemisphere Capital
Mátyás Vándor    ....     production assistant: Hungary
Chris Wheeldon    ....     unit location manager: malta
Tim Wildgoose    ....     armoury supervising modelmaker
Lucy Williams    ....     assistant location manager
Caroline Wilson    ....     armoury coordinator
Rebecca Wolf    ....     construction accountant
Marc Wolff    ....     aerial coordinator
Emma Woodcock    ....     unit location manager
Trish Wylie    ....     production staff: Malta
Éva Zöld    ....     accomodation coordinator: Hungary
Mónika Ács    ....     extras coordinator: Hungary
Arif Maruthiyil    ....     crowd production assistant (uncredited)
Jeffrey Reyes    ....     weapons: second & pick up units (uncredited)
Richard Wild    ....     weather consultant (uncredited)
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